Stories of John Cheever (1979 Pulitzer Prize), The - John Cheever [51]
The cash market and the antique store, the Civil War cannon and the post office of Hiems fell behind them, and Paul accelerated the car happily when they escaped from the narrow streets of the village and drove into the fresh lake winds. The road brought them, first, along the unfashionable, or gregarious, end of the lake; then the houses thinned and gave way to pine groves and empty fields as they drove north. The sense of homecoming—of returning to a place where he had summered all his life—became for Paul so violent that the difference between the pace of his imagination and the speed of the car annoyed him until they turned off the road onto grass ruts and saw, literally at the road's end, their farm.
The gentle shadow of a cloud was passing the face of the Hollis house. At the edge of the lawn, there was an upside-down piece of porch furniture that had been abandoned in a thundershower and that seemed to have been drying there since Paul's youth. The light and heat increased and the shade deepened as the moving shadow of the cloud darkened the barn and the clothes-yard and vanished into the woods.
"Hello, brother." It was Paul's sister Ellen calling to him from one of the open windows. His business suit bound at the shoulders when he left the car, as if he had taken on height, for the place told him that he was ten years younger; the maples, the house, the simple mountains all told him this. His two small children stormed around the edge of the barn and collided against his legs. Taller, browner, healthier, more handsome, more intelligent—they seemed to him to be all these things each weekend when he was reunited with them. A sere branch on a maple caught his eye. That would have to be cut. He stooped down to pick up his little boy and girl in a scalding rush of love, for which he was unarmed and, it seemed, unprepared.
The duck house, where they put the rabbits that morning, had been empty for years, but there was a cage and a shelter, and it would do. "Now, these are your pets, these are your rabbits," Paul told the children. His sternness transfixed them, and the little boy began to suck his thumb. "These are your responsibility, and if you take good care of them, perhaps you can have a dog when we get back to New York. You'll have to feed them and clean their house." His love for the children and his desire to draw for them, even faintly, the mysterious shapes of responsibility reduced him to a fatuity that he was conscious of himself. "I don't want you to expect someone else to help you," he said. "You'll have to give them water twice a day. They're supposed to like lettuce and carrots. Now you can put them in the house yourself. Daddy has to get to work."
Paul Hollis was a summer farmer. He mowed, cultivated, and waxed angry about the price of scratch feed, and at that instant when the plangent winds of Labor Day began to sound he hung up his blunted scythe to rust in the back hall, where the kerosene was kept, and happily shifted his interest to the warm apartments of New York. On that day—the day when he bought the rabbits—he went to his bedroom after he had lectured the children, and changed into a pair of coveralls that were still dimly stenciled with his name, rank, and serial number. Virginia sat on the edge of the bed while he dressed, and talked about his sister Ellen, who was spending a month with them. Ellen needed the rest; Ellen drank too much. But there was no suggestion of correction or change in what Virginia said about Ellen, and when Paul glanced at his wife, he thought how forgiving and comely she was. The room was old and pleasant—it had