Strega - Andrew H. Vachss [65]
Did you ever love a married woman?
The kind so good that she just has to be true.
Did you ever love a married woman?
The kind so good that she just has to be true.
That means true to her husband, boy,
And not a damn thing left for you.
That wasn't Strega. She wasn't good and she wasn't true—at least not to her husband. I popped the cassette, played with the radio until I got some oldies station. Ron Holden and the Thunderbirds singing "Love You So." I hated that song from the first time I'd heard it. When I was in reform school a girl I thought I knew wrote me a letter with the lyrics to that song. She told me it was a poem she wrote for me. I never showed it to anyone—I burned the letter so nobody would find it, but I memorized the words. One day I heard it on the radio while we were out in the yard and I knew the truth.
I never had to explain things like that to Flood. She knew—she was raised in the same places I was.
There was too much prison in this case—too much past.
I tried another cassette—Robert Johnson's "Hellhound on My Trail" came through the speakers. Chasing me down the road.
45
BY THE next morning, the magnum was back in my office and all but five thousand of the money was stashed with Max. I told him most of what happened the night before—enough so he could find the redhead if things didn't work out. I couldn't take Max with me on this trip—he was the wrong color.
I took Atlantic Avenue east through Brooklyn, but this time I rolled right on past the Inter–Boro entrance, past the neighborhood called City Line and into South Ozone Park. In this part of Queens, everybody's got territory marked off—the gangsters have their social clubs, the Haitians have their restaurants, and the illegal aliens have their basements. When you get near J.F.K. Airport, you move into the free–fire zone—the airport is too rich a prize for anyone to hold it all.
I pulled into the open front of a double–width garage. A faded sign over the door said "Ajax Speed Shop." A fat guy sat on a cut–down oil drum just inside the door, a magazine on his lap. His hair was motorcycle–club–length; he had a red bandanna tied around his forehead. He was wearing a denim jacket with the arms cut off, jeans, and heavy work boots. His arms bulged, not all from fat. He'd been a body–builder once; now he was slightly gone to seed.
A candy–apple–red Camaro stood over to my right, its monster rear tires filling the rear tubs under the fenders. The garage specialized in outlaw street racers—guys who made a living drag racing away from the legal strips. The back of the joint was dark.
I didn't wait for the fat guy. "Bobby around?" I asked.
"What do you need, man?" he wanted to know, his voice still neutral.
"I want to try a nitrous bottle. Bobby told me he could fix me up.
"For this?" he wanted to know, looking at the Plymouth's faded four doors. Street racers use nitrous oxide—laughing gas—for short power–bursts. You need a pressurized tank, a switch to kick it in, and enough cojones to pull the trigger. They're not illegal, but you want to fix things up so your opponent won't know you're carrying extra horses. The Plymouth didn't look like his idea of a good candidate—or maybe it was the driver.
I pulled the lever under the dash and the hood was released—it popped forward, pivoting at the front end. The fat guy went around to the passenger side as I got out, and we lifted the entire front end forward together. The whole front–end assembly was Fiberglas—you could move it with two fingers.
The fat guy looked into the engine bay, nodding his head.
"Three eighty–three?" he wanted to know.
"Four forty," I told him, "with another sixty over."
He nodded sagely. It was making sense to him now. One four barrel?" he asked—meaning, Why just one carburetor for so many cubic inches?
"It's built for torque—got to idle nice and quiet."
"Yeah," he said, still nodding. The Plymouth wasn't for show—just the opposite. He walked around the car, peering underneath, noting that the dual exhausts never reached