Suicide Run_ Three Harry Bosch Stories - Michael Connelly [4]
Bosch turned and looked at the bulletin board that ran the length of the wall behind him. It was covered with a blizzard of headshots. All of Palovich’s students, he assumed. He found the shot of Lizbeth Grayson and it was indeed a recent shot. Her blond hair curved under her chin and the easy smile.
Bosch felt himself getting angry. Someone had picked this flower just as it had been about to bloom.
He stepped over and pulled the tack holding the photo to the board. He studied the shot in his hand. There had been no copies of this photo in the apartment. He was sure of it.
“When did she get this taken, do you know?” he asked.
“Last week, I think,” Palovich replied. “She brought in the stack and gave me the first one off the top for the board.”
“There was a stack?”
“Yes, usually they come in hundred-copy stacks. You can never have too many photos. You have to have your headshots out there or you don’t get the calls.”
Bosch nodded. He had worked in Hollywood long enough to know how it worked. He turned the photo over. There was a listing of Lizbeth Grayson’s acting credits on the back. Also listed were her contact numbers through an agent named Mason Rich.
He turned it back over to look at the photo again.
“Why are the headshots you see always in black and white but everything they make these days is in color?” he asked.
“I think it’s because the black and white better shows the contrast the movie camera will pick up,” Palovich responded.
Bosch nodded, even though he didn’t understand her answer and knew nothing about contrast and photography.
The picture cut off across Grayson’s sternum. She was wearing an open-collar blouse and Bosch could see the chain around her neck. The photo cut off before showing the teardrop pendant he remembered from the night before.
He turned back to check the screen. The picture remained paused and his eyes were immediately drawn to the chain around Lizbeth Grayson’s neck. She was wearing an open shirt over a simple white tank top that said CRUNCH across it. But the pendant, which was clearly visible at the bottom of the chain, was not a diamond. It was a single pearl.
Bosch pointed to the screen.
“You see the pearl?”
“Yes, she always wore that.”
“Always?”
“Yes, it had been her grandmother’s. She believed it brought her good luck. Once in class we did some biographical sketches. She told us all about it then. In our classes we all have alter egos with alternate names. Her name was Pearl. When I called on her, if I used the name Pearl, she would respond as that alter ego. Do you understand?”
“I think so. Do you have any tapes of her as Pearl?”
“I think so. I could look.”
“I don’t know if it is significant or not. I’ll let you know. Did you ever see Lizbeth wearing a pendant with a diamond in it?”
Palovich thought for a moment and then shook her head.
“No, never.”
Bosch nodded and thanked her for her time. He asked if he could take the headshot and she said that was fine. At the door to the studio she stopped him with a question.
“You don’t think she did this to herself, do you, Detective Bosch?”
Bosch looked at her a long moment before answering. He knew he should keep his assumptions and theories to himself. But he could tell she needed the answer.
“No, I don’t.”
She shook her head. The alternate to suicide was somehow more horrible to contemplate.
“Who would do this?” she asked. “Who could do this?”
“I don’t know,” he said. “But I’m going to find out.”
In the crime analysis office Bosch sat with an officer named Kizmin Rider. He had worked with her before and knew she was one of the quickest cops on a computer he had ever seen. She was clearly going places in the department and he knew she was being fast-tracked for administration. But the last time they had worked together she had confided that she really wanted to be a detective.
When she was ready Bosch told her what he wanted.
“I’m looking for suicides in the last five years,” Bosch said. “Young females.”
“That’s going to be a lot.”
She worked the keyboard and went into