Surfacing - Margaret Atwood [13]
CHAPTER FOUR
We unload our baggage while Evans idles the motor. When David has paid him he gives us an uninterested nod and backs the boat out, then turns it and swings around the point, the sound dwindling to a whine and fading as land and distance move between us. The lake jiggles against the shore, the waves subside, nothing remains but a faint iridescent film of gasoline, purple and pink and green. The space is quiet, the wind has gone down and the lake is flat, silver-white, it’s the first time all day (and for a long time, for years) we have been out of the reach of motors. My ears and body tingle, aftermath of the vibration, like feet taken out of roller-skates.
The others are standing aimlessly; they seem to be waiting for me to tell them what comes next. “We’ll take the things up,” I say. I warn them about the dock: it’s slippery with the drizzle, which is lighter now, almost a mist; also some of the boards may be soft and treacherous.
What I want to do is shout “Hello!” or “We’re here!” but I don’t, I don’t want to hear the absence.
I hoist a packsack and walk along the dock and onto the land and towards the cabin, following the path and climbing the steps set into the hillside, lengths of split cedar held in place by a stake pounded at each end. The house is built on a sand hill, part of a ridge left by the retreating glaciers; only a few inches of soil and a thin coating of trees hold it down. On the lake side the sand is exposed, raw, it’s been crumbling away: the stones and charcoal from the fireplace they used when they first lived here in tents have long since vanished and the edge trees fall gradually, several I remember upright are leaning now. Red pines, bark scaling, needles bunched on the top branches. A kingfisher is perched on one of them, making its staccato alarm-clock cry; they nest in the cliff, burrowing into the sand, it speeds up the erosion.
In front of the house the chicken-wire fence is still here, though one end is almost over the brink. They never dismantled it; even the dwarf swing is there, ropes frayed, sagging and blotched with weather. It wasn’t like them to keep something when it was no longer needed; perhaps they expected grandchildren, visiting here. He would have wanted a dynasty, like Paul’s, houses and descendants proliferating around him. The fence is a reproach, it points to my failure.
But I couldn’t have brought the child here, I never identified it as mine; I didn’t name it before it was born even, the way you’re supposed to. It was my husband’s, he imposed it on me, all the time it was growing in me I felt like an incubator. He measured everything he would let me eat, he was feeding it on me, he wanted a replica of himself; after it was born I was no more use. I couldn’t prove it though, he was clever: he kept saying he loved me.
The house is smaller, because (I realize) the trees around it have grown. It’s turned greyer in nine years too, like hair. The cedar logs are upright instead of horizontal, upright logs are shorter and easier for one man to handle. Cedar isn’t the best wood, it decays quickly. Once my father said “I didn’t build it to last forever” and I thought then, Why not? Why didn’t you?
I hope the door will be open but it’s padlocked, as Paul said he left it. I dig the keys he gave me out of my bag and approach warily: whatever I find inside will be a clue. What if he returned after Paul locked it and couldn’t get in? But there are other ways of getting in, he could have broken a window.
Joe and David are here now with the other packsacks and the beer. Anna is behind them with my case and the paper bag; she’s singing again, Mockingbird Hill.
I open the wooden door and the screen door inside it and scan the room cautiously, then step inside. Table covered with blue oilcloth, bench, another bench which is a wooden box built against the wall, sofa with metal frame