Surfacing - Margaret Atwood [52]
In days of yore, from Britains shore
Wolfe, the gallant hero, came:
It spread all o’er the hooerhouse floor
On Canada’s fair domain. …
They sing that at your school?”
“The fish will hear you,” I said, and he stopped.
A part of the body, a dead animal. I wondered what part of them the heron was, that they needed so much to kill it.
Into my head the tugboat floated, the one that was on the lake before, logboom trailing it, men waving from the cabin, sunlight and blue sky, the perfect way. But it didn’t last. One spring when we got to the village it was beached near the government dock, abandoned. I wanted to see what the little house was like, how they had lived; I was sure there would be a miniature table and chairs, beds that folded down out of the walls, flowered window curtains. We climbed up; the door was open but inside it was bare wood, not even painted; there was no furniture at all and the stove was gone. The only things we could find were two rusted razor blades on the windowsill and some pictures drawn on the walls in pencil.
I thought they were plants or fish, some of them were shaped like clams, but my brother laughed, which meant he knew something I didn’t; I nagged at him until he explained. I was shocked, not by those parts of the body, we’d been told about those, but that they should be cut off like that from the bodies that ought to have gone with them, as though they could detach themselves and crawl around on their own like snails.
I’d forgotten about that; but of course they were magic drawings like the ones in caves. You draw on the wall what’s important to you, what you’re hunting. They had enough food, no need to draw tinned peas and Argentine corned beef, and that’s what they wanted instead during those monotonous and not at all idyllic trips up and down the lake, nothing to do but play cards, they must have detested it, back and forth chained to the logs. All of them dead now or old, they probably hated each other.
The bass struck on both lines at once. They fought hard, the rods doubled over. David landed one but Joe let his escape into the labyrinth of sticks, where it wound the line around a branch and snapped it.
“Hey,” David was saying, “kill it for me.” The bass was fierce, it was flipping around the inside of the canoe. It spat water from its undershot jaw with a hissing sound; it was either terrified or enraged, I couldn’t tell which.
“You do it,” I said, handing him the knife. “I showed you how, remember?”
Thud of metal on fishbone, skull, neckless headbody, the fish is whole, I couldn’t any more, I had no right to. We didn’t need it, our proper food was tin cans. We were committing this act, violation, for sport or amusement or pleasure, recreation they call it, these were no longer the right reasons. That’s an explanation but no excuse my father used to say, a favourite maxim.
While they admired David’s murder, cadaver, I took the bottle with the frogs in it out of the tackle box and unscrewed the top; they slipped into the water, green with black leopard spots and gold eyes, rescued. Highschool, each desk with a tray on it and a frog, exhaling ether, spread and pinned flat as a doily and slit open, the organs explored and clipped out, the detached heart still gulping slowly like an adam’s apple, no martyr’s letters on it, the intestines messy string. Pickled cat pumped full of plastic, red for the arteries, blue for the veins, at the hospital, the undertaker’s. Find the brain of the worm, donate your body to science. Anything we could do to the animals we could do to each other: we practised on them first.
Joe flipped his broken line back to me and I rummaged among the lures and found another leader, a lead sinker, another hook: accessory, accomplice.
The Americans had rounded the point, two of them in a silver canoe; they were barging towards us. I assessed them, their disguises: they weren’t the bloated middle-aged