Surfacing - Margaret Atwood [57]
At the midway pond the heron was still there, hanging in the hot sunlight like something in a butcher’s window, desecrated, unredeemed. It smelled worse. Around its head the flies vibrated, laying their eggs. The king who learned to speak with animals, in the story he ate a magic leaf and they revealed a treasure, a conspiracy, they saved his life; what would they really say? Accusation, lament, an outcry of rage; but they had no spokesman.
I felt a sickening complicity, sticky as glue, blood on my hands, as though I had been there and watched without saying No or doing anything to stop it: one of the silent guarded faces in the crowd. The trouble some people have being German, I thought, I have being human. In a way it was stupid to be more disturbed by a dead bird than by those other things, the wars and riots and the massacres in the newspapers. But for the wars and riots there was always an explanation, people wrote books about them saying why they happened: the death of the heron was causeless, undiluted.
The laboratory, he was older then. He never caught birds, they were too quick for him, what he caught was the slower things. He kept them in jars and tin cans on a board shelf back in the forest, near the swamp; to reach them he made a secret path, marked only by small notches on the trees, a code. Sometimes he forgot to feed them or perhaps it was too cold at night, because when I went there by myself that day one of the snakes was dead and several of the frogs, their skin dry and their yellow stomachs puffed up, and the crayfish was floating in the clouded water with its legs uppermost like a spider’s. I emptied those bottles into the swamp. The other things, the ones still alive, I let out. I rinsed the jars and tins and left them in a row on the board.
After lunch I hid but I had to come out finally for dinner. He couldn’t say anything in front of them but he knew it was me, there was no one else. He was so angry he was pale, his eyes twisted as though they couldn’t see me. “They were mine,” he said. Afterwards he trapped other things and changed the place; this time he wouldn’t tell me. I found it anyway but I was afraid to let them out again. Because of my fear they were killed.
I didn’t want there to be wars and death, I wanted them not to exist; only rabbits with their coloured egg houses, sun and moon orderly above the flat earth, summer always, I wanted everyone to be happy. But his pictures were more accurate, the weapons, the disintegrating soldiers: he was a realist, that protected him. He almost drowned once but he would never allow that to happen again, by the time he left he was ready.
The leeches were there again in the tepid pond water, clumps of young ones hanging from the lily pad stems like fingers, larger ones swimming, flat and soft as noodles. I didn’t like them but distaste excused nothing. In the other lake they never bothered us when we were swimming but we would catch the mottled kind, the bad kind he called them, and throw them on the campfire when our mother wasn’t watching, she prohibited cruelty. I didn’t mind that so much, if only they would die; but they would writhe out and crawl painfully, coated with ashes and pine needles, back towards the lake, seeming to be able to smell where the water was. Then he would pick them up with two sticks and put them back in the flames again.
It wasn’t the city that was wrong, the inquisitors in the schoolyard,