Surfacing - Margaret Atwood [63]
“It’s over,” he said, “feel better?”
I was emptied, amputated; I stank of salt and antiseptic, they had planted death in me like a seed.
“You’re cold,” he said, “come on, we’d better get you home.” Scrutinizing my face in the light, hands on the wheel, tough, better this way. In my deflated lap there was a purse, suitcase. I couldn’t go there, home, I never went there again, I sent them a postcard.
They never knew, about that or why I left. Their own innocence, the reason I couldn’t tell them; perilous innocence, closing them in glass, their artificial garden, greenhouse. They didn’t teach us about evil, they didn’t understand about it, how could I describe it to them? They were from another age, prehistoric, when everyone got married and had a family, children growing in the yard like sunflowers; remote as Eskimoes or mastodons.
I opened my eyes and sat up. Joe was still there beside me; he was holding on to the edge of my canoe.
“You all right?” he said. His voice came to me faintly, as though muffled.
He said I should do it, he made me do it; he talked about it as though it was legal, simple, like getting a wart removed. He said it wasn’t a person, only an animal; I should have seen that was no different, it was hiding in me as if in a burrow and instead of granting it sanctuary I let them catch it. I could have said no but I didn’t; that made me one of them too, a killer. After the slaughter, the murder, he couldn’t believe I didn’t want to see him any more; it bewildered him, he resented me for it, he expected gratitude because he arranged it for me, fixed me so I was as good as new; others, he said, wouldn’t have bothered. Since then I’d carried that death around inside me, layering it over, a cyst, a tumour, black pearl; the gratitude I felt now was not for him.
I had to go onto the shore and leave something: that was what you were supposed to do, leave a piece of your clothing as an offering. I regretted the nickels I’d taken dutifully for the collection plate, I got so little in return: no power remained in their bland oleotinted Jesus prints or in the statues of the other ones, rigid and stylized, holy triple name shrunken to swearwords. These gods, here on the shore or in the water, unacknowledged or forgotten, were the only ones who had ever given me anything I needed; and freely.
The map crosses and the drawings made sense now: at the beginning he must have been only locating the rock paintings, deducing them, tracing and photographing them, a retirement hobby; but then he found out about them. The Indians did not own salvation but they had once known where it lived and their signs marked the sacred places, the places where you could learn the truth. There was no painting at White Birch Lake and none here, because his later drawings weren’t copied from things on the rocks. He had discovered new places, new oracles, they were things he was seeing the way I had seen, true vision; at the end, after the failure of logic. When it happened the first time he must have been terrified, it would be like stepping through a usual door and finding yourself in a different galaxy, purple trees and red moons and a green sun.
I swung the paddle and Joe’s hand came unstuck and the canoe went towards the shore. I slipped on my canvas shoes and bundled up the sweatshirt and stepped out, looping the rope to a tree, then I climbed the slope towards the cliff, trees on one side, rockface on the other, balsam smell, underbrush scratching my bare legs. There was a ledge, I’d noticed it from the lake, I could throw my sweatshirt onto it. I didn’t know the names of the ones I was making the offering to; but they were there, they had power. Candles in front of statues, crutches on the steps, flowers in jam jars by the roadside crosses, gratitude for cures, however wished-for and partial. Clothing was better, it was closer and more essential; and the gift had been greater, more than a hand or an eye,