Surfacing - Margaret Atwood [69]
He and Anna glanced at each other: they’d planned on hurting me. “Okay,” he said.
Anna said, “Wouldn’t you rather …” and then stopped. They walked back down the steps, disappointed both of them, their trap had failed.
I went into the other room and took the scrapbooks out from under the mattress. There was still enough light to see by but I closed my eyes, touching the covers with my hands, fingertips. One of them was heavier and warmer; I lifted it, let it fall open. My mother’s gift was there for me, I could look.
The rest of the scrapbook had early people, hairs blazing out of their heads like rays or spikes, and suns with faces, but the gift itself was a loose page, the edge torn, the figures drawn in crayon. On the left was a woman with a round moon stomach: the baby was sitting up inside her gazing out. Opposite her was a man with horns on his head like cow horns and a barbed tail.
The picture was mine, I had made it. The baby was myself before I was born, the man was God, I’d drawn him when my brother learned in the winter about the Devil and God: if the Devil was allowed a tail and horns, God needed them also, they were advantages.
That was what the pictures had meant then but their first meaning was lost now like the meanings of the rock paintings. They were my guides, she had saved them for me, pictographs, I had to read their new meaning with the help of the power. The gods, their likenesses: to see them in their true shape is fatal. While you are human; but after the transformation they could be reached. First I had to immerse myself in the other language.
Launch vibration, going away. I slid the page back into the scrapbook and replaced it under the mattress. Trample of the others on the hill, I stayed inside the room.
They lit the lamp. Noise of David fumbling and then the cards, he was laying out a game of solitaire; then Anna’s voice, she wanted to set up the other deck. They were playing doubles, slapping the cards down expertly as gamblers, monosyllables as they gained or lost. Joe sat in the corner on the bench, I could hear him scuffling against the wall.
For him truth might still be possible, what will preserve him is the absence of words; but the others are already turning to metal, skins galvanizing, heads congealing to brass knobs, components and intricate wires ripening inside. The cards tick on the table.
I unclose my fist, releasing, it becomes a hand again, palm a network of trails, lifeline, past present and future, the break in it closing together as I purse my fingers. When the heartline and the headline are one, Anna told us, you are either a criminal, an idiot or a saint. How to act.
Their voices murmur, they can’t discuss me, they know I’m listening. They’re avoiding me, they find me inappropriate; they think I should be filled with death, I should be in mourning. But nothing has died, everything is alive, everything is waiting to become alive.
THREE
CHAPTER TWENTY
The sunset was red, a clear tulip colour paling to flesh webs, membrane. Now there are only streaks of it, mauve and purple, sky visible through the window, divided by the window squares and then by the interlacing branches, leaves overlapping leaves. I’m in the bed, covered up, clothes in a pile on the floor, he will be here soon, they can’t postpone it forever.
Mumbles, cards gathered, swish and spit of teeth being brushed. Blown breath and guttering, the lamp goes out, the flashlight beams wash over the ceiling. He opens the door and stands hesitating, darkening the light he holds, after the morning and the afternoon he isn’t sure how to approach me. I feign sleep and he feels his way into the room, stealthy as moss, and unzips his human skin.
He thinks I’m in pain, he wants to evade it, he bends himself away from me; but I stroke him, move my