Swann's Way - Marcel Proust [215]
When he had realised this, his pity ceased; he was jealous, now, of that other self whom she had loved, he was jealous of those men of whom he had so often said, without suffering too much: “Perhaps she loves them,” now that he had exchanged the vague idea of loving, in which there is no love, for the petals of the chrysanthemum and the letterhead of the Maison Dorée, which were full of it. And then, his anguish becoming too intense, he drew his hand across his forehead, let the monocle drop from his eye, and wiped its glass. And doubtless, if he had caught sight of himself at that moment, he would have added, to the collection of those which he had already identified, this monocle which he removed like an importunate, worrying thought and from whose misty surface, with his handkerchief, he sought to obliterate his cares.
There are in the music of the violin—if one does not see the instrument itself, and so cannot relate what one hears to its form, which modifies the tone—accents so closely akin to those of certain contralto voices that one has the illusion that a singer has taken her place amid the orchestra. One raises one’s eyes, and sees only the wooden case, delicate as a Chinese box, but, at moments, one is still tricked by the siren’s deceiving call; at times, too, one thinks one is listening to a captive genie, struggling in the darkness of the sapient, quivering and enchanted box, like a devil immersed in a stoup of holy water; sometimes, again, it is in the air, at large, like a pure and supernatural being that unfolds its invisible message as it goes by.
As though the musicians were not nearly so much playing the little phrase as performing the rites on which it insisted before it would consent to appear, and proceeding to utter the incantations necessary to procure, and to prolong for a few moments, the miracle of its apparition, Swann, who was no more able to see it than if it had belonged to a world of ultra-violet light, and who experienced something like the refreshing sense of a metamorphosis in the momentary blindness with which he was struck as he approached it, Swann felt