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Swann's Way - Marcel Proust [238]

By Root 1381 0
still half Romanesque, is perhaps the most curious example to be found of our Norman Gothic, and so singular that one is tempted to describe it as Persian in its inspiration.”

And that region which, until then, had seemed to me to be nothing else than a part of immemorial nature, that had remained contemporaneous with the great phenomena of geology—and as remote from human history as the Ocean itself or the Great Bear, with its wild race of fishermen for whom no more than for their whales had there been any Middle Ages—it had been a great joy to me to see it suddenly take its place in the order of the centuries, with a stored consciousness of the Romanesque epoch, and to know that the Gothic trefoil had come to diversify those wild rocks too at the appointed time, like those frail but hardy plants which in the Polar regions, when spring returns, scatter their stars about the eternal snows. And if Gothic art brought to those places and people an identification which otherwise they lacked, they too conferred one upon it in return. I tried to picture how those fishermen had lived, the timid and undreamt-of experiment in social relations which they had attempted there, clustered upon a promontory of the shores of Hell, at the foot of the cliffs of death; and Gothic art seemed to me a more living thing now that, detached from the towns in which until then I had always imagined it, I could see how, in a particular instance, upon a reef of savage rocks, it had taken root and grown until it flowered in a tapering spire. I was taken to see reproductions of the most famous of the statues at Balbec—the shaggy, snub-nosed Apostles, the Virgin from the porch—and I could scarcely breathe for joy at the thought that I might myself, one day, see them stand out in relief against the eternal briny fog. Thereafter, on delightful, stormy February nights, the wind—breathing into my heart, which it shook no less violently than the chimney of my bedroom, the project of a visit to Balbec—blended in me the desire for Gothic architecture as well as for a storm upon the sea.

I should have liked to take, the very next day, the fine, generous 1.22 train, whose hour of departure I could never read without a palpitating heart on the railway company’s bills or in advertisements for circular tours: it seemed to me to cut, at a precise point in every afternoon, a delectable groove, a mysterious mark, from which the diverted hours still led, of course, towards evening, towards tomorrow morning, but an evening and morning which one would behold, not in Paris, but in one of those towns through which the train passed and among which it allowed one to choose; for it stopped at Bayeux, at Coutances, at Vitré, at Questambert, at Pontorson, at Balbec, at Lannion, at Lamballe, at Benodet, at Pont-Aven, at Quimperlé, and progressed magnificently overloaded with proffered names among which I did not know the one to choose, so impossible was it to sacrifice any. But even without waiting till next day, I could, by dressing with all speed, leave Paris that very evening, should my parents permit, and arrive at Balbec as dawn spread westward over the raging sea, from whose driven foam I would seek shelter in that church in the Persian style. But at the approach of the Easter holidays, when my parents had promised to let me spend them for once in the North of Italy, suddenly, in place of those dreams of tempests by which I had been entirely possessed, not wishing to see anything but waves dashing in from all sides, mounting ever higher, upon the wildest of coasts, beside churches as rugged and precipitous as cliffs, in whose towers the sea-birds would be wailing, suddenly, effacing them, taking away all their charm, excluding them because they were its opposite and could only have weakened its effect, was substituted in me the converse dream of the most colourful of springs, not the spring of Combray, which still pricked sharply with all the needle-points of the winter’s frost, but that which already covered the meadows of Fiesole with lilies and anemones, and gave Florence

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