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Swann's Way - Marcel Proust [66]

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as in her natural element, in such a sea of privilege that, if she should ask her parents whether anyone were coming to dinner, she would be answered by those two syllables, radiant with light, by the name of that golden guest who was to her no more than an old friend of the family, Bergotte, that for her the intimate conversation at table, corresponding to what my great-aunt’s conversation was for me, would be the words of Bergotte on all those subjects which he had not been able to take up in his writings, and on which I should have liked to hear him pronounce his oracles, and that, above all, when she went to visit other towns, he would be walking by her side, unrecognised and glorious, like the gods who came down of old to dwell among mortals—then I realised both the rare worth of a creature such as Mlle Swann and, at the same time, how coarse and ignorant I should appear to her; and I felt so keenly how sweet and how impossible it would be for me to become her friend that I was filled at once with longing and despair. Henceforth, more often than not when I thought of her, I would see her standing before the porch of a cathedral, explaining to me what each of the statues meant, and, with a smile which was my highest commendation, presenting me as her friend to Bergotte. And invariably the charm of all the fancies which the thought of cathedrals used to inspire in me, the charm of the hills and valleys of the Ile-de-France and of the plains of Normandy, would be reflected in the picture I had formed in my mind’s eye of Mlle Swann; nothing more remained but to know and to love her. The belief that a person has a share in an unknown life to which his or her love may win us admission is, of all the prerequisites of love, the one which it values most highly and which makes it set little store by all the rest. Even those women who claim to judge a man by his looks alone, see in those looks the emanation of a special way of life. That is why they fall in love with soldiers or with firemen; the uniform makes them less particular about the face; they feel they are embracing beneath the gleaming breastplate a heart different from the rest, more gallant, more adventurous, more tender; and so it is that a young king or a crown prince may make the most gratifying conquests in the countries that he visits, and yet lack entirely that regular and classic profile which would be indispensable, I dare say, for a stockbroker.

While I was reading in the garden, a thing my great-aunt would never have understood my doing save on a Sunday, that being the day on which it is unlawful to indulge in any serious occupation, and on which she herself would lay aside her sewing (on a week-day she would have said, “What! still amusing yourself with a book? It isn’t Sunday, you know!”—putting into the word “amusing” an implication of childishness and waste of time), my aunt Léonie would be gossiping with Françoise until it was time for Eulalie to arrive. She would tell her that she had just seen Mme Goupil go by “without an umbrella, in the silk dress she had made for her the other day at Châteaudun. If she has far to go before vespers, she may get it properly soaked.”

“Maybe, maybe” (which meant “maybe not”), was the answer, for Françoise did not wish definitely to exclude the possibility of a happier alternative.

“Heavens,” said my aunt, slapping herself on the forehead, “that reminds me I never heard if she got to church this morning before the Elevation. I must remember to ask Eulalie … Françoise, just look at that black cloud behind the steeple, and how poor the light is on the slates. You may be certain it will rain before the day is out. It couldn’t possibly go on like that, it’s been too hot. And the sooner the better, for until the storm breaks my Vichy water won’t go down,” she added, since, in her mind, the desire to accelerate the digestion of her Vichy water was of infinitely greater importance than her fear of seeing Mme Goupil’s new dress ruined.

“Maybe, maybe.”

“And you know that when it rains in the Square there’s none too much

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