Swann's Way - Marcel Proust [82]
Only the day before he had asked my parents to send me to dine with him on this same Sunday evening. “Come, and bear your aged friend company,” he had said to me. “Like the nosegay which a traveller sends us from some land to which we shall never return, come and let me breathe from the far country of your adolescence the scent of those spring flowers among which I also used to wander many years ago. Come with the primrose, the love-vine, the buttercup; come with the stone-crop, whereof are posies made, pledges of love, in the Balzacian flora, come with that flower of the Resurrection morning, the Easter daisy, come with the snowballs of the guelder-rose, which begin to perfume the alleys of your great-aunt’s garden ere the last snows of Lent are melted from its soil. Come with the glorious silken raiment of the lily, apparel fit for Solomon, and with the polychrome hues of the pansies, but come, above all, with the spring breeze, still cooled by the last frosts of winter, wafting apart, for the two butterflies that have waited outside all morning, the closed portals of the first Jerusalem rose.”
The question was raised at home whether, all things considered, I ought still to be sent to dine with M. Legrandin. But my grandmother refused to believe that he could have been impolite.
“You admit yourself that he appears there at church quite simply dressed and all that; he hardly looks like a man of fashion.” She added that in any event, even if, assuming the worst, he had been intentionally rude, it was far better for us to pretend that we had noticed nothing. And indeed my father himself, though more annoyed than any of us by the attitude which Legrandin had adopted, may still have held in reserve a final uncertainty as to its true meaning. It was like every attitude or action which reveals a man’s underlying character; they bear no relation to what he has previously said, and we cannot confirm our suspicions by the culprit’s own testimony, for he will admit nothing; we are reduced to the evidence of our own senses, and we ask ourselves, in the face of this detached and incoherent fragment of recollection, whether indeed our senses have not been the victims of a hallucination; with the result that such attitudes, which are alone of importance in indicating character, are the most apt to leave us in perplexity.
I dined with Legrandin on the terrace of his house, by moonlight. “There is a charming quality, is there not,” he said to me, “in this silence; for hearts that are wounded, as mine is, a novelist whom you will read in time to come asserts that there is no remedy but silence and shadow. And see you this, my boy, there comes in all our lives a time, towards which you still have far to go, when the weary eyes can endure but one kind of light, the light which a fine evening like this prepares for us in the stillroom of darkness, when the ears can listen to no music save what the moonlight breathes through the flute of silence.”
I listened to M. Legrandin’s words which always seemed to me so pleasing; but I was preoccupied by the memory of a lady whom I had seen recently for the first time and thinking, now that I knew that Legrandin was on friendly terms with several of the local aristocracy, that perhaps she also was among his acquaintance, I summoned up all my courage and said to him: “Tell me, sir, do you by any chance know the lady … the ladies of Guermantes?”—glad, too, in pronouncing this name, to secure a sort of power over it, by the mere act of drawing it up out of my day-dreams and giving it an objective existence in the world of spoken things.
But, at the