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Sweetness_ The Enigmatic Life of Walter Payton - Jeff Pearlman [91]

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there? I’m gonna hit it.’ The post must have been a hundred and twenty yards away, and Walter took the club, swung, and hit that post right down the middle. It was phenomenal. Whatever he did, he would be good at it.”

Despite the mixed reaction to his shoelace bells, Payton was embraced by veterans and fellow rookies. He was assigned to share an apartment with Gary Hrivnak, a third-year defensive end out of Purdue who was surprised to find himself with a black roommate. “I don’t know if they were trying to integrate the team more, but it was an eye-opener,” said Hrivnak. “Walter was very quiet, but in a good way. He wasn’t always talking about himself and everything he could do. He was unaffected by being a high pick and making good money.” Hrivnak remembered Walter plastering a small section of wall with photographs of Connie, his college sweetheart. He also recalled the time he approached the room and heard the thump of soul music blaring from behind the door. “I walk in, and Walter had four or five African-American players inside and they’re all dancing,” Hrivnak said. “Well, he tried to drag this old white guy in the middle and teach me to dance. Everyone laughed—I was the butt of the joke. But it was OK, because Walter was just a nice, funny, lighthearted kid.”

In the year 1975, a significant racial divide still existed in professional sports. White teammates hung with white teammates and black teammates hung with black teammates. There was a lingering mistrust and a pronounced lack of understanding. Locker room card games were split among racial lines. The tension over music was palpable—country and rock vs. R&B. To many of the black Bears, their white teammates seemed stiff and judgmental. How could they possibly trust the Southerners from schools like Alabama and Auburn and Ole Miss—the ones who seemed perpetually uncomfortable in their presence?

A good number of the white Bears, meanwhile, didn’t like what they perceived to be the never-ending crowing and strutting of the blacks. They found the players to be lazy, selfish, and heartless. All skill, no drive. “When I got there we had a bunch of niggers,” said Rives, a white linebacker from 1973 to 1978. “Great ability, but no work ethic. They were selfish twits, and they wanted to blame everyone but themselves.”

Just as he had done at Columbia High School five years earlier, Payton somehow bridged the gap. Entering camp, Chicago’s top two returning running backs were Ken Grandberry, an unremarkable grinder who had led the team with 475 rushing yards in 1974, and Carl Garrett, the cocky former Pro Bowler. “Walter was different,” said Rives. “His biggest attribute was the fire in his gut, where he honestly believed nobody could stop him. I loved that.”

Payton didn’t merely impress teammates—he wowed them. Steve Marcantonio, the team’s fifteenth-round draft choice out of the University of Miami, had never heard of Payton until they arrived together at camp. One day all the players were required to partake in varied physical tests—bench press, curls, push-ups, sprints. “I was a six-foot-six, two-hundred-and-onepound possession receiver going against all these great athletes,” said Marcantonio. “I didn’t stand much of a chance.” The final activity was dips, where a person stands between two parallel bars and lifts himself up and down as many times as possible. “Back in college I used to finish every workout with three sets of twenty dips, so I finally felt there was something I could excel in,” said Marcantonio. “We go through most of the testing, and sure enough near the end I’ve smoked everybody. The second-best guy did thirty-seven, and now it’s me and Walter lined up next to each other. We’re the final two.” Marcantonio put on his game face, took a deep breath, and completed fifty-six straight dips—easily a personal record. “Everyone was so impressed,” he said. “I felt great.” When Marcantonio finished, Payton—who had never before lifted weights or attempted a dip—approached the bars. “He was just this blur, up and down, up and down, up and down,” said Marcantonio.

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