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Table-Talk, Essays on Men and Manners [67]

By Root 1733 0
of the mercantile character. The world is a book in which the _Chapter of Accidents_ is none of the least considerable; or it is a machine that must be left, in a great measure, to turn itself. The most that a worldly-minded man can do is to stand at the receipt of custom, and be constantly on the lookout for windfalls. The true devotee in this way waits for the revelations of Fortune as the poet waits for the inspiration of the Muse, and does not rashly anticipate her favours. He must be neither capricious nor wilful. I have known people untrammelled in the ways of business, but with so intense an apprehension of their own interest, that they would grasp at the slightest possibility of gain as a certainty, and were led into as many mistakes by an overgriping, usurious disposition as they could have been by the most thoughtless extravagance.--We hear a great outcry about the want of judgment in men of genius. It is not a want of judgment, but an excess of other things. They err knowingly, and are wilfully blind. The understanding is out of the question. The profound judgment which soberer people pique themselves upon is in truth a want of passion and imagination. Give them an interest in anything, a sudden fancy, a bait for their favourite foible, and who so besotted as they? Stir their feelings, and farewell to their prudence! The understanding operates as a motive to action only in the silence of the passions. I have heard people of a sanguine temperament reproached with betting according to their wishes, instead of their opinion who should win; and I have seen those who reproached them do the very same thing the instant their own vanity or prejudices are concerned. The most mechanical people, once thrown off their balance, are the most extravagant and fantastical. What passion is there so unmeaning and irrational as avarice itself? The Dutch went mad for tulips, and ---- ---- for love! To return to what was said a little way back, a question might be started, whether as thought relates to the whole circumference of things and interests, and business is confined to a very small part of them, viz. to a knowledge of a man's own affairs and the making of his own fortune, whether a talent for the latter will not generally exist in proportion to the narrowness and grossness of his ideas, nothing drawing his attention out of his own sphere, or giving him an interest except in those things which he can realise and bring home to himself in the most undoubted shape? To the man of business all the world is a fable but the Stock Exchange: to the money-getter nothing has a real existence that he cannot convert into a tangible feeling, that he does not recognise as property, that he cannot 'measure with a two-foot rule or count upon ten fingers.' The want of thought, of imagination, drives the practical man upon immediate realities: to the poet or philosopher all is real and interesting that is true or possible, that can reach in its consequences to others, or be made a subject of curious speculation to himself!

But is it right, then, to judge of action by the quantity of thought implied in it, any more than it would be to condemn a life of contemplation for being inactive? Or has not everything a source and principle of its own, to which we should refer it, and not to the principles of other things? He who succeeds in any pursuit in which others fail may be presumed to have qualities of some sort or other which they are without. If he has not brilliant wit, he may have solid sense; if he has not subtlety of understanding, he may have energy and firmness of purpose; if he has only a few advantages, he may have modesty and prudence to make the most of what he possesses. Propriety is one great matter in the conduct of life; which, though, like a graceful carriage of the body, it is neither definable nor striking at first sight, is the result of finely balanced feelings, and lends a secret strength and charm to the whole character.

Quicquid agit, quoquo vestigia vertit, Componit furtim, subsequiturque decor.
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