Tarzan the Terrible [55]
followed by Pan-at-lee, turned at once and left them.
"We will go this way," said Ko-tan and preceding, led Tarzan in another direction. Close to that part of the wall which they approached Tarzan perceived a grotto in the miniature cliff into the interior of which Ko-tan led him, and down a rocky stairway to a gloomy corridor the opposite end of which opened into the palace proper. Two armed warriors stood at this entrance to the Forbidden Garden, evidencing how jealously were the sacred precincts of the place guarded.
In silence Ko-tan led the way back to his own quarters in the palace. A large chamber just outside the room toward which Ko-tan was leading his guest was filled with chiefs and warriors awaiting the pleasure of their ruler. As the two entered, an aisle was formed for them the length of the chamber, down which they passed in silence.
Close to the farther door and half hidden by the warriors who stood before him was Lu-don, the high priest. Tarzan glimpsed him but briefly but in that short period he was aware of a cunning and malevolent expression upon the cruel countenance that he was subconsciously aware boded him no good, and then with Ko-tan he passed into the adjoining room and the hangings dropped.
At the same moment the hideous headdress of an under priest appeared in the entrance of the outer chamber. Its owner, pausing for a moment, glanced quickly around the interior and then having located him whom he sought moved rapidly in the direction of Lu-don. There was a whispered conversation which was terminated by the high priest.
"Return immediately to the quarters of the princess," he said, "and see that the slave is sent to me at the temple at once." The under priest turned and departed upon his mission while Lu-don also left the apartment and directed his footsteps toward the sacred enclosure over which he ruled.
A half-hour later a warrior was ushered into the presence of Ko-tan. "Lu-don, the high priest, desires the presence of Ko-tan, the king, in the temple," he announced, "and it is his wish that he come alone."
Ko-tan nodded to indicate that he accepted the command which even the king must obey. "I will return presently, Dor-ul-Otho," he said to Tarzan, "and in the meantime my warriors and my slaves are yours to command."
11
The Sentence of Death
BUT it was an hour before the king re-entered the apartment and in the meantime the ape-man had occupied himself in examining the carvings upon the walls and the numerous specimens of the handicraft of Pal-ul-donian artisans which combined to impart an atmosphere of richness and luxury to the apartment.
The limestone of the country, close-grained and of marble whiteness yet worked with comparative ease with crude implements, had been wrought by cunning craftsmen into bowls and urns and vases of considerable grace and beauty. Into the carved designs of many of these virgin gold had been hammered, presenting the effect of a rich and magnificent cloisonne. A barbarian himself the art of barbarians had always appealed to the ape-man to whom they represented a natural expression of man's love of the beautiful to even a greater extent than the studied and artificial efforts of civilization. Here was the real art of old masters, the other the cheap imitation of the chromo.
It was while he was thus pleasurably engaged that Ko-tan returned. As Tarzan, attracted by the movement of the hangings through which the king entered, turned and faced him he was almost shocked by the remarkable alteration of the king's appearance. His face was livid; his hands trembled as with palsy, and his eyes were wide as with fright. His appearance was one apparently of a combination of consuming anger and withering fear. Tarzan looked at him questioningly.
"You have had bad news, Ko-tan?" he asked.
The king mumbled an unintelligible reply. Behind there thronged into the apartment so great a number of warriors that they choked the entrance-way. The king looked apprehensively to right and left. He cast terrified glances at the ape-man and
"We will go this way," said Ko-tan and preceding, led Tarzan in another direction. Close to that part of the wall which they approached Tarzan perceived a grotto in the miniature cliff into the interior of which Ko-tan led him, and down a rocky stairway to a gloomy corridor the opposite end of which opened into the palace proper. Two armed warriors stood at this entrance to the Forbidden Garden, evidencing how jealously were the sacred precincts of the place guarded.
In silence Ko-tan led the way back to his own quarters in the palace. A large chamber just outside the room toward which Ko-tan was leading his guest was filled with chiefs and warriors awaiting the pleasure of their ruler. As the two entered, an aisle was formed for them the length of the chamber, down which they passed in silence.
Close to the farther door and half hidden by the warriors who stood before him was Lu-don, the high priest. Tarzan glimpsed him but briefly but in that short period he was aware of a cunning and malevolent expression upon the cruel countenance that he was subconsciously aware boded him no good, and then with Ko-tan he passed into the adjoining room and the hangings dropped.
At the same moment the hideous headdress of an under priest appeared in the entrance of the outer chamber. Its owner, pausing for a moment, glanced quickly around the interior and then having located him whom he sought moved rapidly in the direction of Lu-don. There was a whispered conversation which was terminated by the high priest.
"Return immediately to the quarters of the princess," he said, "and see that the slave is sent to me at the temple at once." The under priest turned and departed upon his mission while Lu-don also left the apartment and directed his footsteps toward the sacred enclosure over which he ruled.
A half-hour later a warrior was ushered into the presence of Ko-tan. "Lu-don, the high priest, desires the presence of Ko-tan, the king, in the temple," he announced, "and it is his wish that he come alone."
Ko-tan nodded to indicate that he accepted the command which even the king must obey. "I will return presently, Dor-ul-Otho," he said to Tarzan, "and in the meantime my warriors and my slaves are yours to command."
11
The Sentence of Death
BUT it was an hour before the king re-entered the apartment and in the meantime the ape-man had occupied himself in examining the carvings upon the walls and the numerous specimens of the handicraft of Pal-ul-donian artisans which combined to impart an atmosphere of richness and luxury to the apartment.
The limestone of the country, close-grained and of marble whiteness yet worked with comparative ease with crude implements, had been wrought by cunning craftsmen into bowls and urns and vases of considerable grace and beauty. Into the carved designs of many of these virgin gold had been hammered, presenting the effect of a rich and magnificent cloisonne. A barbarian himself the art of barbarians had always appealed to the ape-man to whom they represented a natural expression of man's love of the beautiful to even a greater extent than the studied and artificial efforts of civilization. Here was the real art of old masters, the other the cheap imitation of the chromo.
It was while he was thus pleasurably engaged that Ko-tan returned. As Tarzan, attracted by the movement of the hangings through which the king entered, turned and faced him he was almost shocked by the remarkable alteration of the king's appearance. His face was livid; his hands trembled as with palsy, and his eyes were wide as with fright. His appearance was one apparently of a combination of consuming anger and withering fear. Tarzan looked at him questioningly.
"You have had bad news, Ko-tan?" he asked.
The king mumbled an unintelligible reply. Behind there thronged into the apartment so great a number of warriors that they choked the entrance-way. The king looked apprehensively to right and left. He cast terrified glances at the ape-man and