Temples, Tombs & Hieroglyphs_ A Popular History of Ancient Egypt - Barbara Mertz [11]
Scholars who concern themselves with the broader problems of history often anthropomorphize the cultures they are comparing. The man-shaped figures that represent civilizations may be pictured as climbing a ladder or a mountain slope, progressing ever higher on their way to—what? Us? But if we are determined to have an analogy, we might say that the process of civilization more closely resembles the acceleration of a wheeled vehicle on a downward slope; slow at first, then ponderously gaining speed until it rushes headlong across the level plain beneath. Momentum carries it on for some distance, initially at a speed so great that it may seem as if acceleration were still taking place. But eventually the heavy vehicle slows…and slows…and stops. And there it remains, in a state of rest, until some unknown force returns to push it toward another slope, or until it decays and disappears.
We cannot really compare a culture to a wagon any more than to a human being climbing a mountain. But analogies are fun, and this one gives a mental picture that may be useful to us. For something did give the Egyptian prehistoric culture a shove, during the late period we call Naqada II. The picture of society we see then is noticeably different from that of the earlier cultures. People lived in houses with windows and doors, and wore clothing woven out of flax. The flint tools are elegant, even to an antiflint observer; and copper is increasingly used for artifacts which had been made of stone. Graves are deeper and more carefully built, sometimes lined with wooden planks. There are differences in the graves now, some still small, some larger and more pretentious, and the grave goods of the larger tombs are richer—sure signs of class differentiation. People had more time for activities that were not directly related to the struggle for existence; they played games and they painted pictures on their pots. The old brown and red pottery continues, but a new type enters, made of a new kind of clay and decorated with quaint little figures of men and animals and boats. The boats carry insignias, which may be the standards or devices of small political units; we assume that in this period the land of Egypt consisted of many communities, each governed by a local chief. These changes are striking, but they are not so striking as the further changes that are about to occur. We are very close to the First Dynasty now—to the beginning of history and of civilization, properly speaking. We are curious, not only about what happened, but also about why it happened.
Let us go back to the wagon on the slope. We might carry the analogy one step further and ask: Does the wagon creep along (we will grandly ignore the fact that neither a culture nor a wagon can be said to “creep”) until it reaches the point at which the ground drops away from beneath its wheels; or does someone come up behind it and give it a shove? More pedantically: does civilization arise naturally out of a primitive culture because that culture has, by slow accretion, reached a critical stage of development; or does an external stimulus serve as the catalytic agent?
I would like to avoid the term “primitive,” because it implies a certain value judgment. I can’t do it, though. Alternatives like “preliterate” and “prehistoric” are at once too explicit and too vague. You know what I mean, and I know what I mean, so let’s stick to “primitive.”
We may argue about exactly what distinguishes a civilization from a primitive culture, or even about whether such a clear-cut distinction can be made. Let’s not argue about it. Let us merely agree that certain new elements are necessary to define a civilization: monumental architecture, centralized government, a division of labor resulting in social classes, and, perhaps most important, writing. If we think about these elements, we see that each of them implies more than it says about the society in question. Monumental architecture, for instance, requires advanced