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Temples, Tombs & Hieroglyphs_ A Popular History of Ancient Egypt - Barbara Mertz [37]

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as much as for its ingenuity. Late at night I worry about Hetepheres, after I have finished worrying about burglars and why the cat hasn’t come in. What disturbs me is the fact that there have been other sarcophagi found in place, unopened—and empty. Two of them date to the Third Dynasty, not so distant in time from the heyday of Hetepheres. The cases are not exactly parallel, but yet there remains the incontestable and bewildering common feature of the empty sarcophagi. In recent years several scholars have suggested other explanations for Hetepheres’s unusual situation. Most of them are pretty boring, frankly. One at least supports a statement I made some years ago, to the effect that there may have been an unknown magical or cult practice involved; according to this theory, the empty coffins are the ka burials of the individuals. (The ka was an exact duplicate of the person, brought into existence by the gods at his or her birth, and surviving his death. Since it was insubstantial, it wouldn’t show up in a coffin.) I don’t insist on this theory, though. It is likely that the true stories of the death and subsequent adventures of the lady Hetepheres have yet to be told. Certainly no one would regret more than I the discovery that Reisner’s brilliant and picturesque reconstruction is not the correct one.

Khufu, the first king to build a pyramid at Giza, also began the private cemeteries there. Wishing to ensure his numerous progeny and friends a good life in the next world, he laid out a real City of the Dead, close to his pyramid so that his relatives might profit from his superior presence. The houses of the City were huge stone mastabas laid out in neat rows like city blocks. They must have looked attractive when first built, with their glistening sugar white walls and painted offering tablets. Later hoi polloi, ambitious for eternity, spoiled the symmetry by building smaller brick tombs around and between and atop the older mastabas. There were sixty-four tombs near Khufu’s pyramid to begin with; one of the largest was built for our old friend, the vizier Hemiun, whose postulated shenanigans with the royal mother’s sarcophagus had obviously gone undetected.

One can wander for hours among these tombs, reflecting with gentle melancholy upon the various philosophical considerations that cemeteries should induce. The impression we get of Giza today is not one of neatness but of a bewildering honeycomb of holes and pits and tomb entrances. We can walk into one of these tombs, stand where the family of the dead man stood to pay him the last rites, and see his face and figure on the funeral stela. Here we may sense how other people in other times sought immortality—not the common people, for their lot was a hole in the sand of the desert, where they had, indeed, a better chance of bodily survival than did their wealthier contemporaries. The greatest enemy of the dead in Egypt was not time, nor the natural processes of decay, but the tomb robber, who would not bother with a peasant’s grave. Almost all the mastaba tombs were robbed in antiquity, some within a few months of the funeral ser vice and by the very stoneworkers who had built the tomb. The massive pyramids fared no better; the devices used to foil prospective thieves posed no problem to the ingenuity of the ancient crooks. Even the heavy stone portcullises, which were lowered after the burial to block the entrance passages, were not serious obstacles; disdaining subterfuge, the tomb robbers cut through or around them. It was toilsome work, but it paid better than any other profession the robbers could have taken up.

Similar family cemeteries surrounded other royal tombs of the Old Kingdom, at Giza, Dahshur, and elsewhere. And what a family it was. From the inscriptions in these tombs scholars have learned a great deal about the sons and daughters and sisters and cousins and aunts of the Fourth Dynasty rulers. Complex genealogies have been constructed. They read like the outline for a soap opera. An uncle marrying his niece, a queen married to three kings in turn,

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