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Temporary Kings - Anthony Powell [25]

By Root 3325 0
not only in ‘the fine arts’, but also topography and textbooks. One consequence of this was that I myself spent several years of early life in the same business, Tokenhouse my boss. We got on pretty well together. He had an unusual flair for that sort of publishing, making occasional errors of judgment – St John Clarke’s Introduction to The Art of Horace Isbister one of the minor miscalculations – but on the whole a mixture of hard work, shrewdness, backing his own often eccentric judgment, produced successful results.

When it came to being hasty in temper, idiosyncratic in conduct, my father and Tokenhouse could, so to speak, give each other a game, but, acceptable as a brother-officer less successful than himself, Tokenhouse became gradually less admissible as a very reasonably prosperous civilian; more especially after my father himself was forced to leave the army on account of ill health. Minor skirmishes between them began to take on a note of increasing asperity.

‘Dan would have been axed anyway,’ said my father. ‘Just as well there was a trade to which he could turn his hand, and money enough to buy his way into it. Dan would never have wriggled himself through the bottleneck for officers of his type and seniority. You know, as a young man, old Dan seriously thought of going into the Church. It was touch and go. Then some bishop made a public statement of which he disapproved, and he decided for the army, which his family had always wanted.’

Whether or not that was true, there could be no doubt Tokenhouse’s nature included an inveterate puritanism, which army life had by no means decreased. Having abandoned the idea of taking Holy Orders, he developed an absolutely fanatical hatred for religion in any form, even the association of his own forename with a biblical character, thereby suggesting involuntary commitment, becoming a vexation to him. This puritanism also showed itself in dislike for any hint of sensuality in the arts, almost to the extent of handicapping a capacity for making money out of them. Even my parents, who knew him well, admitted that Tokenhouse’s sex life had remained undisclosed throughout the years. Not the smallest interest in women had ever been uncovered; nor, for that matter, in his own sex either. He seemed quite unaware of the physical attributes of those he came across, though perhaps an unusually good-looking lady would just perceptibly heighten his accustomed brusqueness. That was my own impression after working for several years in the same office, a condition that can reveal a colleague, especially a superior, with an often devastating clarity.

This apparent non-existence of sexual partiality could have been due to the fact that Tokenhouse was aware of none. General Conyers (had they met, which never happened) might have hazarded a favourite solution, ‘a case of exaggerated narcissism’. The peculiarities of Tokenhouse’s subsequent conduct may have had their roots there; reaction perhaps from too rigid control, physical and emotional. The only personal relaxation he ever allowed himself, so far as was known, consisted in fairly regular practice of sparetime painting. Otherwise he was always engaged in business, direct or indirect in form.

Painting was a hobby of long standing. The pictures, if a school had to be named, showed faintly discernible traces of influence filtered down from the Camden Town Group. Rising to no great heights as masterpieces of landscape, they did convey an absolutely genuine sense of inner moral discomfort. A Tokenhouse canvas possessed none of the self-conscious professionalism of Mr Deacon’s scenes from Greek and Roman daily life, flashy in their way, even when handled without notable competence. Tokenhouse, on the contrary, took pride in being an amateur. He always made a point of that status. It was therefore a surprise to his friends – matter of disapproval to my father – when he announced that he was going to retire from publishing, and take up painting as a full-time occupation. That was about six months before ‘Munich’. By that time I had left

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