Temporary Kings - Anthony Powell [30]
Moreland (these were days before marriage to Matilda) always commended Mopsy Pontner’s looks, but was a friend of Pontner, who was musically inclined in a manner Moreland could approve, a qualification by no means common. Moreland tended to keep off his friends’ wives. Pontner, who knew several languages pretty well, earned a living by translating. He also bought paintings and drawings, when he could afford them, partly because he had a taste for pictures too, partly as a speculation. I ought to have thought of that when Glober raised the subject. This must have been a moment when money was required to tide over a financial crisis, take a holiday, or, as likely as either, invest in another work of art, which Pontner considered a better bet for a rise on the market. Pontner was older than his wife. The fact that Moreland found Mopsy attractive, liked talking about her, probably accounted for his passing on the information. At that time I had never met her, though knew she was reputed quite a beauty in her way. Suddenly remembering about this drawing, I told Glober it had been on offer a week or more before.
‘Do you think it’s still unsold?’
‘Shall I make enquiries?’
‘Go ahead. This is great. Mr Jenkins, we just had to meet.’
Glober was full of enthusiasm. He must have recognized one of his own characteristic situations taking shape before his eyes. His next reaction was that everyone must come to dinner with him to discuss the deal. By now he was certain the drawing remained unsold. Its existence revealed, it was now his by law of nature. Before the matter could be gone into further, Tokenhouse appeared in the doorway, having disembarrassed himself of St John Clarke, who could be heard coughing painfully, in a disgruntled manner, as he made his way down the stairs. Tokenhouse uttered his characteristically rather brusque apologies for the delay. Before they disappeared together Glober took my hand.
‘Call me up at the hotel between four and five this evening, Mr Jenkins. Even suppose the drawing is sold, I’d like to have you dine with me.’
Tokenhouse heard that a shade suspiciously. He was jealous of outside contacts, not least American ones. Glober stayed for about an hour. I did not see him when he left. In the course of the day I made several telephone calls, finding the Augustus John drawing still available, Pontners and Lilienthals delighted to scent a buyer. I informed Glober.
‘And they’ll all have dinner with me?’
‘Of course.’
Everyone was pleased with the idea. The party took place in Glober’s sitting-room on one of the upper floors of the hotel, an old-fashioned establishment (pulled down a couple of years later) in the Curzon Street neighbourhood. It was a favourite haunt at that period of the more enlightened sort of American publisher. The place was just Glober’s mark. When I arrived, he was inspecting the table laid for dinner.
‘Good to see you. I’ve asked quite a crowd.’
Mopsy Pontner, bringing the drawing with her, arrived alone. At the last moment her husband had been prevented from coming by another engagement, arisen at short notice, having professional bearing on one of his translations. Pontner rightly judged his wife fully competent to negotiate the business