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Temporary Kings - Anthony Powell [85]

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investigations; Pamela finding Gwinnett in his room, or waiting there for his return. If the former, the two of them, Pamela and Gwinnett, had spent quite a long time, several hours, in the bedroom together, before Bagshaw’s father encountered her, wherever he did, in an unclothed state.

She was no longer in the hall, or on the half-landing, when Mr Bagshaw reappeared on his return journey. He seems to have taken this as philosophically as he had earlier sight of her, simply retiring to bed again. If he hoped after that for a good night’s rest, that hope was nullified by a further complication, a more ominous one. This development had taken place while he was himself down in the basement incommunicado. Bagshaw’s other stepdaughter, Felicity, now played a part. Woken by the interchange, slight as that had been, between Pamela and Bagshaw’s father, or (another possibility) herself cause of Mr Bagshaw’s descent to the basement by excluding him from an upstairs retreat, perhaps noticing the light on, came down to see what was afoot. She was faced with the same spectacle, a slim grey-haired lady wearing no clothes. Bagshaw, when he spoke of the matter, added a gloss to the circumstances.

‘The truth seems to be – I’d noticed it myself – Felicity had taken a fancy to Gwinnett. That was why she drew the obvious conclusions, and kicked up the hell of a row. So far as I know, Gwinnett hadn’t made any sort of a pass at her. Perhaps that was what made her so keen on him. Before you could quote Proudhon’s phrase about equilibrium of competition, her sister Stella heard the talking, and came down too. The whole lot were quarrelling like wild cats.’

Just what happened at this stage is not at all clear; nor at what moment were spoken the words to put in some sort of perspective subsequent events. Gwinnett, of course, himself appeared. He dealt as well as he could with Bagshaw’s stepdaughters, while Pamela dressed and slipped away. Probably she retired on Gwinnett’s arrival, leaving him to cope. She was not present by the time Bagshaw, made aware by the noise that something exceptional was taking place, joined the party. Mrs Bagshaw, like her father-in-law, assuming some comparatively minor domestic contingency in progress, still suffering from migraine, did not leave her bed. Avril, incurious or occupied with her own problems, also remained in her room. Bagshaw said that, insofar as it were possible to behave with dignity throughout the whole affair, Gwinnett contrived to do so.

‘He didn’t say much. Just offered some apologies. Of course, it was obviously Pamela Widmerpool’s fault, not his. He didn’t attempt to excuse himself on that account.’

The night’s disturbances appear to have died down in a fairly banal family quarrel, nothing to do with Pamela or Gwinnett. In fact, the following day, Bagshaw – so far as I know, May Bagshaw too – was prepared for all to be forgiven and forgotten. On this point Bagshaw’s father and stepdaughters do not seem to have been consulted. Gwinnett himself was firm that he must leave. He moved to an hotel (another of Trapnel’s haunts) the same afternoon. Bagshaw said he was uncertain what he felt after Gwinnett had gone.

‘I was sorry to lose him. At the same time I saw, from his own point of view, it would be difficult to stay on. The whole thing might happen again, if that woman knew he was still living with us. Of course, I thought they were having an affair, that she had come to the house to sleep with him. If so, I couldn’t see why either of them needed to make all that to-do. Couldn’t he have done whatever her other lovers do? That was how it looked at the moment.’

By the time Bagshaw told the story himself, a good deal had happened to give opportunity for improving its framework, accentuating highspots of the narrative. One could not be quite sure he had not seen things differently during the embroilment. For example, he spoke of words, possibly apocryphal, murmured by Pamela, as she withdrew (however that had happened) from the house. Bagshaw put this scarcely coherent sentence forward as key

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