That Awful Mess on the via Merulana - Carlo Emilio Gadda [105]
"Nothing. They didn't do nothing to me. I just happen to know they're stinkers, that's all."
"Take it easy, Pompeo, and don't bother her," Doctor Fumi said, contracting his nose: and to the girl: "You were saying i
"I was saying that, with women like that, he picks them up right off, without having to work too hard to make them catch on. T beg your pardong, could you direck me to Villa Porghesay?' When they're on Via Veneto, a foot away. Or even at the arches of Porta Pinciana! the pigs. 'It's not far away from here.' I'll say it isn't. All you have to do is cross the street. He lights her cigarette maybe. T can show you the way, if you want!' And they want, all right. With me, it's different, with these rags I have on . . . dying of the cold. With me, now, he doesn't even want to come: he says I'm stupid, that I look like a beggar. But with them! From Porta Pinciana, to the lake, to the Belvedere—it isn't a walk that makes your feet hurt, either. A little chat, as they go, turning to look at each other every now and then, looking her straight in the eye. Oh I know, I know how he does." "And what about you?"
"Me? They've screwed me, that's what they've done, so's I don't know which way to turn for a crust of bread: I'm just about ready to jump in the river. With them, they have a nice hot meal, a dinner—or supper, anyway."
"And the ready?"
"The ready?"
"The money, I mean: who puts out?" Pompeo interrupted again, rubbing his thumb against his index finger in the classic gesture.
"Shut up, Pompeo, you're getting on my nerves," Fumi admonished him. Then, to her: "These dinners, or let's say these suppers: who pays for them?"
"He pays, of course," the girl replied with hauteur and envy: "but she passes him the cash under the napkin: or when they go into Bottaro's" (envy of the disbursing rival) "while they're looking in the window ... at the list of the day's dishes. To see if there's chicken, or lamb. They've worked it all out along the way: and he's got a driver's license and everything, he took the exam, and all he has to do is collect the license in Via Panisperna, but he needs certain papers still, certain official stamps: and he knows all the restaurants in Rome by heart, but it wouldn't look good for him or for her either, to let them see that she's the one who's putting out the money. Rome isn't like Paris, he says. Because we've got the Pope here." They laughed. In her weariness, in her tears, erect, at the end, in the mucid light of the room, she had spoken, resplendent: her lashes, blond, turned aloft, radiated above the luminous gravity of her gaze: her tears had cleansed the irises, a dark brown, the two turquoise jewels they enclosed. Her face appeared stained and tired.
"And he made his aunt, too, if she is his aunt, give him a hundred lire. One time when he was in a hurry to go someplace, I forget where. And I have a feeling she never saw it again, that hundred note. Her husband's a scar-face; she says he used to be a baker, but he never comes home."
Zamira had had a fight with him: "Maybe because he talked me into coming away: and she was furious. You'll regret this, she said to me: the old witch! Listen to me! you'll be sorry, baby! With those dragon eyes of her's! He made me touch a coral horn{49}: and he touched it, too. Yes, he was the one who talked me into it. So they had a fight. Maybe that was the reason, or maybe—who knows—because there was no more money in it for them. She's an old witch, a lousy hick whore. Even in Africa, she went whoring. Fifteen years ago. And when it comes to money, she'd skin her own father alive. He took me away."
"And that's why they fought?" asked Fumi, not convinced. The girl didn't hear the question. "You can understand how he looked at it, too. A boy like him! For nothing . . . too little! He told her to find herself somebody else. He said he wasn't working just for the fun of it. You women, he says, don't have to do anything, just have a little patience. You