That Awful Mess on the via Merulana - Carlo Emilio Gadda [141]
But what did that mean? It was his job, running around on his motorcycle day and night, to go and visit his poor, to see how they were getting along ... his chickens: that's why he wore those double chevrons of silver. "That's all he can think about, tearing around the day and night with his bike, you might say: and when he's done, he goes to bed: he plays the radio: and he has seven women who listen to it, besides himself."
Spies were not lacking, certainly, closed in the torpor of her mind and senses, from which Santa Rita had already evaporated. The sergeant, from confidences gathered the day before, had, according to her, succeeded in extracting (now she dreamt) how one Retalli Enea alias Iginio had become engaged to the beautiful Lavinia from whom with his infinite promises and a face that made you scared, he had obtained some advances. "Advances?" "Yes, some paper," answered the spy, without a face but with every certainty of the feminine sex, since she wore a shawl and skirt, "and especially . . . don't make me come out and say these things, Sergeant, you know what I mean better than I do." The ring—it had been he, Retalli Enea, who had given it to this beautiful Lavinia in a strange moment, as if he were going away: clasping her to him, kissing her furiously on the mouth, on the eyes. Or perhaps, that faceless apparition went on to say, and exhaling a word not human, to be rid of a trinket that was too risky to carry on his person, in those circumstances, and with the intention of collecting again one day, when he could move more freely. "But where were you when you saw them?"
"I saw them," answered the phantom of the lonely road, "I saw them from that pink house where you come up from Torraccio, where I go and do some odd jobs every now and then." "But if you were inside the house, and they . . . they were about their business outside, on a path. No, it doesn't work out right." "Sergeant, I saw them from the window." "From what window?" "From the window of the toilet": and Lavinia's mind was lost: real images become deformed, filtered through a tired, yet clairvoyant drowsiness. "You should go and look. It's a toilet, where you can see everything: motorcycles, the men working by themselves on the vines, and the carts, and the donkeys . . ." "And what were you doing in there?" "Sergeant!" He took her hand. "You swear?" "I can swear to that, all right, don't you worry!" she said then, and it wasn't clear with what lips she spoke, this fearsome mannequin: over which a shawl had been thrown, on which a skirt was hung. A girl, she was: and for a face, an oval, like the wooden egg for mending socks. The topaz had appeared two days earlier on Lavinia's ring finger (of the right hand) amid the amazement of all the girls. "My God! what's that on your finger?" to whose questions, to whose exhortations, "come on, tell us!" she had smoothed her eyebrows,