That Awful Mess on the via Merulana - Carlo Emilio Gadda [30]
It was eleven now. Officer Ingravallo was about to get on the tram, at the corner of Via d'Azeglio. The few cars at the disposal of the police were wandering over the seven hills, or busy in the forums and squares, or on the Pincio or the Gianicolo, idly, or perhaps to amuse those gentlemen of the era of the hejira, the big shots with the fezzes: or they stole a nap at the Collegio Romano, like so many hacks, but always ready to take the brass for a ride: you never know. There were great visits in those very days from the plenipotentiaries of Iraq and chiefs of the General Staff of Venezuela, a coming and going of people plastered with medals: poured out in shoals at Naples, down the gangways of every hoarse-voiced ocean liner.
These were the first explosions, the first tremors in Palazzo Venezia, after a year and a half of novitiate, of the Death's Head in frock coat or in morning clothes: the grim looks were already there, the vomiting stream of words: the period of the black derbies and the dove-colored spats was, you might say, about to come to an end: with those short little toad-arms, and those ten fat fingers that hung at his sides like two clumps of bananas, like a black minstrel's gloves. The glorious national destiny hadn't yet had room to show itself, as it would later, in all its splendor. Margherita,{6} the nymph Egeria now reduced to playing Dido Abandoned, was still launching the Novecento, the neuf-cent, modern art, the nightmare of the Milanese of the time. She attended the vernissages, the launchings, the oils, the watercolors, the sketches, insofar as a gentle Margherita can attend. He had tried on the feluca, five felucas. They fit him to a T. The glinting eyes of the hereditary syphilitic (also syphilitic in his own right), the illiterate day-laborer's jaws, the rachitic acromegalic face already filled the pages of Italia Illustrata: already, once they were confirmed, all the Maria Barbisas of Italy were beginning to fall in love with him, already they began to invulvulate him, Italy's Magdas, Milenas, Filomenas, as soon as they stepped down from the altar: in white veils, crowned with orange blossoms, photographed coming out of the narthex, dreaming of the orgies and the educatory exploits of the swinging cudgel. The ladies, at Maiano or at Cernobbio, were already choking