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That Awful Mess on the via Merulana - Carlo Emilio Gadda [52]

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steps? See how blond he is? Like an angel, isn't he? Tell us, sweetheart, Mamma's baby doll! No, don't cry, your Mamma's right here with you, your Mamma who loves you to pieces. Here," two kisses smacked on the kid's cheeks, "you mustn't be scared of the officer. Doctor Ingravallo isn't the bad kind of doctor, those mean ones, who hurt my poor baby and make her stick out her tongue and say ah. He's a doctor in a black suit, too, but he's a good one!" and she squeezed the little stomach under the dress, as if to ascertain whether it were dry or damp: in certain cases, testimony is not necessarily unaccompanied by suitable outpourings of another nature. "Tell me, tell Mamma, there's my sweetie. Tell us, and Doctor Ingravallo will give you a nice dolly, the kind that shut their eyes, with a pink apron with little blue flowers on it." Then the kid hung her head still lower and said: "Yes." Giuliano paled. "And what was the gentleman doing? What did he say to you?" She burst out weeping, yelling desperately amid her tears: "I—want —to—go home! Home!" after which her Mamma blew her nose for her: and that was that, nothing more to be got out of her. Mamma, "Oh, I tell you!" insisted that she was an extraordinarily bright child, for her age: "you know how it is ... with kiddies, you have to know how to handle them." To Ingravallo, on the other hand, she seemed an idiot, in every respect a daughter worthy of her mother.

The Pirroficoni case had not yet afflicted the pages of the city papers: the Death's Head in his diplomat's ceremonial hat twisting already, on the other hand, the peacock's feather of the suspect, to be able to stick it where he stuck his feathers: peacock's or of spoiled chicken that stank.

In any case it was wise, already in those days, to proceed with caution: Don Ciccio had a whiff of this, and Doctor Fumi as well, after public opinion—that is to say, the general racket—had taken possession of the event.

"To exploit" the event—whatsoever event Jove Scoundrel, big-cheese in the cloud department, dropped in your lap, plop—to the magnification of one's own pseudo-ethical activity, in fact protuberantly theatrical and filthily staged, is the game of the institution or person who wishes to endow propaganda and fisheries with the weight of a moral activity. The displayed psyche of the political madman (a narcissist of pseudo-ethical content) grabs the alien crime, real or believed, and roars over it like a stupid, furious beast, in cold blood, over an ass's jawbone: behaving in such a way as to exhaust (to relax) in the inane matter of a punitive myth the dirty tension that compels him to action, action coute que coute. The alien crime is exploited to placate the snaky-maned Megaera, the mad multitude: which will not be placated with so little: it is offered, like a ram or stag to be torn to pieces, to the disheveled women who will rip it apart, light of foot, ubiquitous and mammary in the bacchanal which their own cries kindle, purpled with torment and blood. In this way, a pseudo-justice assumes a legal course, a pseudo-severity, or the pseudo-habilitation of the finger-pointings whose manifest countersigns seem to be both the arrogance of the ill-considered magistrate's investigation and the cynobalanic{15} excitement of the anticipated sentence. Reread the sad and atrocious tale in War and Peace, book three, part three, chapter twenty-five: and understand the summary execution of the helpless Verestchagin, thought a spy, not being one; Count Rostopchin, governor of Moscow, play-acting on the steps of his palace before the grim, waiting crowd, orders the dragoons to kill him with their sabers, there, in the crowd's presence: on the fine old principle, by God, "quit leur faut une victime." It was in the morning, ten o'clock. "At four in the afternoon Murat's army entered Moscow."

Much more base and theatrical, chez nous, that Fierce-Face with his plume: nor can we grant him, as we can Rostopchin, the immediate attenuating circumstances of fear (of being lynched himself) and of anguish and rage and the pandemonium

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