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That Awful Mess on the via Merulana - Carlo Emilio Gadda [54]

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sobs which made his necktie jerk. When those tears were dried, he began summoning up his memory: with the aid of a little leather notebook, alligator skin it was: the kind real gents carry. He had brought it with him. Their holdings were noted down in it. Liliana kept a safe-deposit box at the bank, at branch number 11 of the Banca Commerciale, which had a safe-deposit service, a caveau of the most modern kind: at Piazza Vittorio, just opposite the market, under the arcades: right corner of Via Carlo Alberto. But then, there was another one at Corso Umberto, at the Banco di Santo Spirito. "Liliana's father, my poor old father-in-law, was a straight sort of man: a man with a real instinct: he didn't believe there was going to be any revolution, not this time, he said to me, and he said it was no good trusting corporations; first of all . . . because they're anonymous; you don't know their name or what they're up to, or where they are. Why, if one day it comes into their heads to say: this dope here, I think I'll screw him, then what can you do? You think you can track them down up there in Milan and say, hey, Signora Societa Anonima, I want my dough back. The hell you say. No, no. Five-year bonds! he used to say. They're safer than gold! he said, because gold is up today and down tomorrow: but bonds ... and a bit of consolidated, five per cent maybe, the sort of investment that lets you get your sleep at night. All stuff guaranteed by the government: the Italian government! It's like a granite building, the government, take it from me: there, nobody wants to screw you. What would they get out of it? And this new one, they say wants to do things seriously." Having quoted his father-in-law, at a sad smile from Doctor Fumi, Balducci reserved the right to produce detailed, exact lists. Himself. Liliana.

He furnished "unexceptionable" commercial references and bank references, then various clarifications about his position as a sales representative, in the textiles line, for certain producers up north. The question of cash, one might say, between him and his wife, simply didn't exist. "We never wanted for anything, not me, and not Liliana. Never any trouble, never a worry ... no lack of ready cash, never, a loan . . . not even from today to tomorrow. Notes?" In their family they didn't even know what the word meant.

"Commercial bills, in my business: yes . . . you can't do business without them."

How was it, with all their means, that they lived there, among those wormy shopkeepers, retired merchants, com-mendatores making fifteen hundred a month?

"Well, the idea of having to move ... laziness. My father-in-law had bought the apartment, and had even lived there with Liliana before she was married. I met her there": and once again the poor man couldn't keep back his tears. His heavy voice shook: "we got married there! Me and Lilianuc-cia!" Doctor Fumi felt tears rising in his throat, too: like a level of water, rising in a well. Liliana's father, it was. He had a sharp eye, for a deal! "You know how it is, doctor ..." They had already known each other for a few years: business affairs. And then ... She, only child, her mother dead: a beauty! Ah, those were the days!

They had become engaged, they had been married in that house. Then, once they were husband and wife . . . They were in love, they were company for each other. Their tastes were modest. They kept to themselves. "I didn't feel like working to work for the other fellow, that was it. One of these days we all have to die, and we had no kids. Like life was trying to spite us! And then ... the armistice after the war! And besides, by then we were all settled down, we were used to the place. There's central heating, even if it doesn't heat all that well, but still! It was good enough for us. There was a modern bath ... A few broken dishes, a few odd chairs. But who doesn't have them? Liliana didn't like having people around her too much. With that obsession of hers, to adopt a girl.. . and that poor little animal, Lulu, who didn't want to move for anything! Her, too! What's

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