That Awful Mess on the via Merulana - Carlo Emilio Gadda [65]
"What'll you give me, if I give you my baby? I said to her once. Christmas was already past, and New Year's ... it was after the Epiphany. Why, it was past the middle of January. I was only joking. She bowed her head. Like she was thinking . . . tired, sad: like a poor thing who didn't have anything to trade me: as if she had to ask for charity. Love? No, no, I didn't want that: I didn't mean love—I said, joking. She went pale, and flung herself down in a chair, like she was desperate." Ingravallo paled, too. "She looked at me with those eyes of hers, imploring. They were clouded with tears. She took my fingers, my right hand. She looked at my mother's ring, this one here: and she began to slip it off my finger. You've got to leave this with me for a few days, she said. Why? Because I say so. Because I want to match something, the present I'm going to give you. So I left it with her. And the next time I went to see her—Remo was off on a trip, he was in Padua, and without knowing it, I went to the house to see her—the next time ... as soon as she saw me, she gave me my ring back, then, without saying anything, she made like a sign to me ... a smile, the way you smile at a kid. Here, she said, and she looked at me: here! She took my hand, and slipped that ring on my finger, her grandfather's ring; this other one, my mother's, I wear on my middle finger, as you can see. Here, Giuliano, now take care of it, it's grandfather's ring. My grandfather. Your great-grandfather: what a good and handsome and strong man he was! He was a real man, like you! like you!" (That like you, like you, made the bulldog grit his teeth.) "And this is grandfather's watch chain . . . And she showed me that, too (it's this one that they took from me in Via Nicotera) and she turned her eyes to the portrait, you know? the oval one, in the gold frame with the ivy leaves, you know?" "Ivy leaves?"
"Yes, bright green, in the living room: the big portrait of her grandfather, Rutilio: you can see the chain on his stomach. This very one." He touched it, extending his hand to the desk, sadly. "With the fob . . ." He shook his head. "Then she said to me. Lilianuccia . . . poor Liliana said to me: you told me you have to go to Genoa. Before you get married, you have to fix up your house: on the shore at Albaro,