That Awful Mess on the via Merulana - Carlo Emilio Gadda [93]
Under the glass spotlight rimmed with pleats and green-and-white ruffles like salad, his pate seemed more tenebrous, more curly than usual. No automobile! No help in moving away from his base. There were automobiles, bah! "but only for those bastards in political," that is to say, the political section. The excursion he had missed, that horrible Thursday: "the seventeenth of the month! The worst number there is," he sighed, "seventeen, lousiest of all! . . ." he grunted, through clenched teeth.
Now all the merit went to the carabinieri of Marino. "Those big-hats, those Punch-and-Judy cops." Pestalozzi dined with good appetite off the marble-topped table in Via del Gesù, at the Maccheronaro's, where Pompeo had taken him: Grabber, as he was called, who also acted as master of ceremonies, at Santo Stefano, when the occasion demanded.
Pompeo, for his part, didn't see what obstacle could oppose the introit of a reprise of that shoe-sized sandwich he had had at seven: with paving this time, of roast beef and mortadella, in alternate slices, gently laid in that sofa of bread, by the expert, pudgy fingers of the Maccheronaro himself: who tegumented the slices at last, after a checking, dismissing glance, with the precut and set-aside roof top or lid (the upper half of the roll): the lower lip sticking out, but by a bare millimeter: while his double chin compressed and, so to speak, flattened against the collar, if one could believe he had a collar, ended by hiding entirely his spring-like tie, a bow, with polka dots on a green ground.
The customers present, envious, were stunned. A full-scale torpedo boat, something exceptional. To see it from the outside . . . quite decorous: but ponderously stuffed, within. Er Maccheronaro raised his eyelids, deeply serious, his lip still extended by that fraction of an inch, fixing without a word his beloved client, in the moment and in the very gesture of handing him this trophy. "Is this it, or isn't it?" his gaze seemed to signify. Pompeo allowed himself to be fixed. He set his tooth where it deserved to be set. After a couple of cavalierish bites, his mouth resembled a grinder, an eccentric millstone. He couldn't manage an answer, if anybody asked him anything. He looked towards the person in question, his big eyes wide, with the air of having understood.
At ten-thirty they were all gathered in Doctor Fumi's office. Paolillo brought back Ines. Who was—and where was—the young man? And that girl friend of her girl friend? Why, what girl friend? The one . . . the one that she had talked about, Mattonari, Camilla: "the one, if I'm not mistaken," Doctor Fumi said, "the friend who worked with you at Zamira's," at I Due Santi.
Camilla Mattonari, Ines admitted, had spoken to her of a girl friend, who had been in service in Rome, but not an all-day job.
"Half-time, you mean."
"Well, I don't know if it was half: she worked for some people who had given her a dowry, and now, she had to get married."
"Married to who?"
"Married to a gentleman, a businessman in trade: the kind that live in Turin and make cars: who had given her two pearls. And on Candlemas Day, for that matter, she was wearing them in her ears, those pearls. Everybody saw them." And she had also met her one evening . . . what a pair of eyes!
"What eyes!": and Fumi was annoyed; he shrugged.
"Well, yes, her eyes . . ." Ines rebutted, "were . . . different. Different from the eyes like the rest of us have. Like she was a witch, or a gypsy. Two black stars, right out of hell. At the Ave Maria, when it was getting dark, she looked like a devil disguised as a woman. Those eyes were scary. It was like they had an idea, in them, of getting revenge on somebody."
"So you know her then."
"No, I only saw her once . . . after dark."
"Where?"
"Well ... it was on a road, in the country."
"In the country where?