The 120 Days of Sodom - Marquis De Sade [236]
148. The last passion.
(But why the last? Where are the other two? They were all there in the original outline.)
Desgranges recounts the last passion:
The nobleman who indulges in this final passion we shall designate as the infernal caprice or, more simply, as the hell passion, has been cited four times: by Duclos in the last story she told on the 29th of November; by Champville, when referring to a personage who depucelates nine-year-olds only; by Martaine, as he who depucelates three-year-olds in the bum; by Desgranges who mentioned him in an early connection (establish that connection more precisely). He is a man of some forty years, enormous in stature and furnished with the member of a stallion: his prick is very near to nine inches in circumference and a foot in overall length; he is exceedingly wealthy, a very powerful lord, very harsh, very cruel, his heart is of stone. He has a house on the outskirts of Paris which he uses for no purposes other than the gratification of this passion.
The surroundings wherein he savors his delight is a spacious room, simply decked, but padded everywhere, the floor covered with mattresses; upon entering the room one sees a single long casement window, the room has no other opening save for the door; that window looks down upon an underground cellar, twenty feet below the salon where he busies himself, and looking out, one sees the mattresses which break the fall of the girls as he flings down into the cellar, a description whereof we shall give shortly. He requires fifteen girls for this party; their ages must be between fifteen and seventeen, neither more, nor less; he employs six procuresses in Paris, as well as twelve in the provinces, and they are to spare no efforts, no expense to find him everything of the most charming that may possibly be found of that age, and as it is collected, the material is sent to a country convent over which he has absolute control, and there, in that nursery, the girls ripen, and from it he selects the fifteen objects for his debauch, which is regularly executed every fortnight.
That evening before the ceremony begins, he personally examines the said material, the least defect in which warrants its rejection; he insists that his creatures be perfect models of beauty. Escorted by a procuress, they arrive at the house and are lodged in a room adjacent to the pleasuresalon. They are first exhibited to him in this adjoining chamber, all fifteen are naked. He touches, feels, fondles, experiments with them, he scrutinizes them, sucks their mouths, and one after the other has them all shit into his mouth. But he does not swallow.
This initial operation performed with dreadful seriousness, he brands each upon the shoulder, imprinting a number in her flesh; it is to indicate the order in which he will receive them. That done, he goes alone into the salon, where he remains for a brief space: no one knows what he does in this moment of solitude. Then he knocks. Girl Number 1 is cast into his lair. And she is properly cast into it: the procuress flings