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The Absentee [58]

By Root 1005 0
she's so proud, she never said a hint to me of the matter; but my Lord Colambre is a sweet gentleman; and--'

'Petito! don't run on so; you must not meddle with what you don't understand: the Miss Killpatricks, to be sure, are sweet girls, particularly the youngest.'--Her ladyship's toilette was finished; and she left Petito to go down to my Lady Killpatrick's woman, to tell, as a very great secret, the schemes that were in contemplation among the higher powers, in favour of the youngest of the Miss Killpatricks.

'So Ireland is at the bottom of his heart, is it?' repeated Lady Dashfort to herself; 'it shall not be long so.' From this time forward, not a day, scarcely an hour passed, but her ladyship did or said something to depreciate the country, or its inhabitants, in our hero's estimation. With treacherous ability, she knew and followed all the arts of misrepresentation ; all those injurious arts which his friend, Sir James Brooke, had, with such honest indignation, reprobated. She knew how, not only to seize the ridiculous points, to make the most respectable people ridiculous, but she knew how to select the worst instances, the worst exceptions; and to produce them as examples, as precedents, from which to condemn whole classes, and establish general false conclusions respecting a nation.

In the neighbourhood of Killpatrickstown, Lady Dashfort said, there were several SQUIREENS, or little squires; a race of men who have succeeded to the BUCKEENS, described by Young and Crumpe. SQUIREENS are persons who, with good long leases, or valuable farms, possess incomes from three to eight hundred a year; who keep a pack of hounds; TAKE OUT a commission of the peace, sometimes before they can spell (as her ladyship said), and almost always before they know anything of law or justice! Busy and loud about small matters; JOBBERS AT ASSIZES, combining with one another, and trying upon every occasion, public or private, to push themselves forward, to the annoyance of their superiors, and the terror of those below them.

In the usual course of things, these men are not often to be found in the society of gentry; except, perhaps, among those gentlemen or noblemen who like to see hangers-on at their tables; or who find it for their convenience to have underling magistrates, to protect their favourites, or to propose and CARRY jobs for them on grand juries. At election times, however, these persons rise into sudden importance with all who have views upon the county. Lady Dashfort hinted to Lord Killpatrick, that her private letters from England spoke of an approaching dissolution of Parliament; she knew that, upon this hint, a round of invitations would be sent to the squireens; and she was morally certain that they would be more disagreeable to Lord Colambre, and give him a worse idea of the country, than any other people who could be produced. Day after day some of these personages made their appearance; and Lady Dashfort took care to draw them out upon the subjects on which she knew that they would show the most self-sufficient ignorance, and the most illiberal spirit. This succeeded beyond her most sanguine expectations. 'Lord Colambre! how I pity you, for being compelled to these permanent sittings after dinner!' said Lady Isabel to him one night, when he came late to the ladies from the dining-room. 'Lord Killpatrick insisted upon my staying to help him to push about that never-ending, still-beginning electioneering bottle,' said Lord Colambre. 'Oh! if that were all; if these gentlemen would only drink;--but their conversation! I don't wonder my mother dreads returning to Clonbrony Castle, if my father must have such company as this. But, surely, it cannot be necessary.

'Oh, indispensable! Positively indispensable!' cried Lady Dashfort; 'no living in Ireland without it. You know, in every country in the world, you must live with the people of the country, or be torn to pieces; for my part, I should prefer being torn to pieces.'

Lady Dashfort and Lady Isabel knew how to take advantage of the contrast
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