The Acceptance World - Anthony Powell [22]
‘Who is taking Mark’s place?’
‘It is not exacdy a question of one person taking another’s place. Merely coping with the practical side of the job more—well—conscientiously.’
Quiggin bared his teeth, as if to excuse this descent on his own part to a certain smugness of standpoint.
‘Yourself?’
‘At first just as an experiment on both sides.’
I saw at once that in this change, if truly reported, all kind of implications were inherent. Stories had circulated in the past of jobs for which Quiggin and Members had been in competition, most of them comparatively unimportant employments in the journalistic field. This was rather larger game; because, apart from other considerations, there was the question of who was to be St. John Clarke’s heir. He was apparently alone in the world. It was not a vast fortune, perhaps, but a tidy sum. A devoted secretary might stand in a favourable position for at least a handsome bequest. Although I had never heard hints that Quiggin was anxious to replace Members in the novelist’s household, such an ambition was by no means unthinkable. In fact the change was likely to have been brought about by long intrigue rather than sudden caprice. The news was surprising, though of a kind to startle by its essential appropriateness rather than from any sense of incongruity.
Although I did not know St. John Clarke, I could not help feeling a certain pity for him, smitten down among his first editions, press cuttings, dinner invitations, and signed photographs of eminent contemporaries, a sick man of letters, fought over by Members and Quiggin.
‘That was why I wanted to have a talk about St. J.’s affairs,’ said Quiggin, continuing to speak in his more conciliatory tone. ‘There have been certain changes lately in his point of view. You probably knew that. I think you are interested in getting this introduction. I see no reason why he should not write it. But I am of the opinion that he will probably wish to approach Isbister’s painting from a rather different angle. The pictures, after all, offer a unique example of what a capitalist society produces where art is concerned. However, I see we shall have to discuss that another time.’
He stared hard at Templer as chief impediment to his plans for the evening. It was at that point that ‘the girls’ arrived; owing to this conversation, entering the room unobserved by me until they were standing beside us. I was immediately aware that I had seen Templer’s wife before. Then I remembered that he had warned me I should recognise the stylised, conventionally smiling countenance, set in blonde curls, that had formerly appeared so often, on the walls of buses and underground trains, advocating a well-known brand of toothpaste. She must have been nearly six foot in height: in spite of a rather coarse complexion, a beautiful girl by any standards.
‘It was too wonderful,’ she said, breathlessly.
She spoke to Templer, but turned almost at once in the direction of Quiggin and myself. At the sight of her, Quiggin went rather red in the face and muttered inaudible phrases conveying that they already knew one another. She replied civilly to these, though evidently without any certainty as to where that supposed meeting had taken place. She was obviously longing to talk about the film, but Quiggin was not prepared for the matter of their earlier encounter to be left vague.
‘It was years ago at a party over an antique shop,’ he insisted, ‘given by an old queen who died soon after. Mark Members introduced us.’
‘Oh, yes,’ she said, indifferently, ‘I haven’t seen Mark for ages.’
‘Deacon, he was called.’
‘I believe I