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The Acceptance World - Anthony Powell [62]

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everything else to be reasonably expected of parents in the circumstances. In the end they had agreed that ‘in these days’ it was impossible to insist on the hopes or standards of their own generation. Anne had been allowed to go her own way, while Lady Bridgnorth had returned to her hospital committees, Lord Bridgnorth to his politics and racing. They had probably contented themselves with the thought that Peggy, having quietly divorced Stringham, had now settled down peacefully enough with her new husband in his haunted, Palladian Yorkshire home, which was said to have given St. John Clarke the background for a novel. Besides, their eldest son, Mountfichet, I had been told, was turning out well at the university, where he was a great favourite with Sillery.

When introductions took place, it seemed simpler to make no reference to the fact that we had met before. Anne Stepney stared round the room with severe approval. Indicating Foppa and his companion, she remarked:

‘I always think people playing cards make such a good pattern.’

‘Rather like a Chardin,’ I suggested.

‘Do you think so?’ she replied, implying contradiction rather than agreement.

‘The composition?’

‘You know I am really only interested in Chardin’s highlights,’ she said.

Before we could pursue the intricacies of Chardin’s technique further, Foppa rose to supply further drinks. He had already made a sign of apology at his delay in doing this, to be accounted for by the fact that his game was on the point of completion when Barnby arrived. He now noted the score on a piece of paper and came towards us.

He was followed this time to the bar by the man with whom he had been at cards. Foppa’s companion could now be seen more clearly. His suit was better cut and general appearance more distinguished than was usual in the club. He had stood by the table for a moment, stretching himself and lighting a cigarette, while he regarded our group. A moment later, taking a step towards Anne Stepney, he said in a soft, purring, rather humorous voice, with something almost hypnotic about its tone:

‘I heard your name when you were introduced. You must be Eddie Bridgnorth’s daughter.’

Looking at him more closely as he said this, I was surprised that he had remained almost unobserved until that moment. He was no ordinary person. That was clear. Of medium height, even rather small when not compared with Foppa, he was slim, with that indefinably ‘horsey’ look that seems even to affect the texture of the skin. His age was hard to guess: probably he was in his forties. He was very trim in his clothes. They were old, neat, well preserved clothes, a little like those worn by Uncle Giles. This man gave the impression of having handled large sums of money in his time, although he did not convey any presumption of affluence at that particular moment. He was clean-shaven, and wore a hard collar and Brigade of Guards tie. I could not imagine what someone of that sort was doing at Foppa’s. There was something about him of Buster Foxe, third husband of Stringham’s mother: the same cool, tough, socially elegant personality, though far more genial than Buster’s. He lacked, too, that carapace of professional egotism acquired in boyhood that envelops protectively even the most good-humoured naval officer. Perhaps the similarity to Buster was after all only the outer veneer acquired by all people of the same generation.

Anne Stepney replied rather stiffly to this enquiry, that ‘Eddie Bridgnorth’ was indeed her father. Having decided to throw in her lot so uncompromisingly with ‘artists’, she may have felt put out to find herself confronted in such a place by someone of this kind. Since he claimed acquaintance with Lord Bridgnorth, there was no knowing what information he might possess about herself; nor what he might report subsequently if he saw her father again. However, the man in the Guards tie seemed instinctively to understand what her feelings would be on learning that he knew her family.

‘I am Dicky Umfraville,’ he said. ‘I don’t expect you have ever heard of me, because I have

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