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The Adventures of Augie March - Saul Bellow [38]

By Root 10379 0
rooming headlines from the Examiner, the financial news, closing quotations from Wall Street and La Salle Street. Local news next, some- wing about Big Bill Thompson, that he had hired the Cort Theatre, or "stance, and presented himself on the stage with two caged giant c 65 rats from the stockyards whom he addressed by the names of Republican renegades--I came to know what items Einhorn would want first. "Yes, it's just as Thompson says. He's a big gasbag, but this time it's true. He rushed back from Honolulu to save what's-his-name from the penitentiary." He was long and well-nigh perfect of memory, a close and detailed reader of the news, and kept a file on matters of interest to him, for he was highly systematic, and one of my jobs was to keep his files in order in the long steel and wood cases he surrounded himself with, being masterful, often fussy for reasons hard to understand when I placed something before him, proposing to throw it away. The stuff had to be where he could lay his hands on it at once, his clippings and pieces of paper, in folders labeled Commerce, Invention, Major Local Transactions, Crime and Gang, Democrats, Republicans, Archaeology, Literature, League of Nations. Search me, why the League cf Nations, but he lived by Baconian ideas of what makes the man this and that, and had a weakness for complete information. Everything was going to be properly done, with Einhom, and was thoroughly organized on his desk and around it--Shakespeare, Bible, Plutarch, dictionary and thesaurus. Commercial Law for Laymen, realestate and insurance guides, almanacs and directories; then typewriter in black hood, dictaphone, telephones on bracket arms and a little screwdriver to hand for touching off the part of the telephone mechanism that registered the drop of the nickel--for even at his most prosperous Einhorn was not going to pay for every call he made; the company was raking in a fortune from the coinboxes used by the other businessmen who came to the office--wire trays labeled Incoming and Outgoing, molten Aetna weights, notary's seal on a chain, staplers, flap-moistening sponges, keys to money, confidential papers, notes, condoms, personal correspondence and poems and essays. When all this was arranged and in place, all proper, he could begin to operate, back of his polished barrier approached by two office gates, where he was one of the chiefs of life, a white-faced executive, much aware of himself and even of the freakish, willful shrewdness that sometimes spoiled his dignity and proud, plaque-like good looks. He had his father to keep up with, whose business ideas were perhaps less imaginative but broader, based on his connections with his rich old-time cronies. The old Commissioner had made the Einhom money and still kept the greater part of the titles in his name, not because he didn't trust his son, but only for the reason that to the business community he was the Einhom, the one who was approached first with offers. William was the heir and was also to be trustee of the shares of his son Arthur, who was a sophomore at the University of Illinois, and nf Dingbat. Sometimes Einhorn was unhappy about the Commissioner's habit of making private loans, some of them sizable, from the bankroll he carried pinned inside the pocket of his Mark Twain s. uit. More often he bragged about him as a pioneer builder on the Northwest Side and had dynastic ideas about the Einhoms--the organizer coming after the conqueror, the poet and philosopher succeeding the organizer, and the whole development typically American, the work of intelligence and strength in an open field, a world of possibilities. But really, with all respect for the Commissioner, Einhorn, while still fresh and palmy, had his fathers overriding powers plus something else, statesmanship, fineness of line, Parsee sense, deep-dug intrigue, the scorn of Pope Alexander VI for custom. One morning while I was reading from a column on the misconduct of an American heiress with an Italian prince at Cannes, he stopped me to quote, " 'Dear Kate, you and I cannot be
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