The Age of Innocence - Edith Wharton [79]
The idea of this monstrous exposure of her person was so painful to her relations that they could have covered with gold the ingenious person who suddenly discovered that the chair was too wide to pass between the iron uprights of the awning which extended from the church door to the curb-stone. The idea of doing away with this awning, and revealing the bride to the mob of dressmakers and newspaper reporters who stood outside fighting to get near the joints of the canvas, exceeded even old Catherine’s courage, though for a moment she had weighed the possibility. “Why, they might take a photograph of my child and put it in the papers!” Mrs. Welland exclaimed when her mother’s last plan was hinted to her; and from this unthinkable indecency the clan recoiled with a collective shudder. The ancestress had had to give in; but her concession was bought only by the promise that the wedding-breakfast should take place under her roof, though (as the Washington Square connection said) with the Wellands’ house in easy reach it was hard to have to make a special price with Brown to drive one to the other end of nowhere.
Though all these transactions had been widely reported by the Jacksons a sporting minority still clung to the belief that old Catherine would appear in church, and there was a distinct lowering of the temperature when she was found to have been replaced by her daughter-in-law. Mrs. Lovell Mingott had the high color and glassy stare induced in ladies of her age and habit by the effort of getting into a new dress; but once the disappointment occasioned by her mother-in-law’s non-appearance had subsided, it was agreed that her black Chantilly over lilac satin, with a bonnet of Parma violets, formed the happiest contrast to Mrs. Welland’s blue and plum-color. Far different was the impression produced by the gaunt and mincing lady who followed on Mr. Mingott’s arm, in a wild dishevelment of stripes and fringes and floating scarves; and as this apparition glided into view Archer’s heart contracted and stopped beating.
He had taken it for granted that the Marchioness Manson was still in Washington, where she had gone some four weeks previously with her niece, Madame Olenska. It was generally understood that their abrupt departure was due to Madame Olenska’s desire to remove her aunt from the baleful eloquence of Dr. Agathon Carver, who had nearly succeeded in enlisting her as a recruit for the Valley of Love; and in the circumstances no one had expected either of the ladies to return for the wedding. For a moment Archer stood with his eyes fixed on Medora’s fantastic figure, straining to see who came behind her; but the little procession was at an end, for all the lesser members of the family had taken their seats, and the eight tall ushers, gathering themselves together like birds or insects preparing for some migratory maneuver, were already slipping through the side doors into the lobby.
“Newland—I say: she’s here!” the best man whispered.
Archer roused himself with a start.
A long time had apparently passed since his heart had stopped beating, for the white and rosy procession was in fact half-way up the nave, the Bishop, the Rector and two white-winged assistants were hovering about the flower-banked altar, and the first chords of the Spohr symphonyac were strewing their flower-like notes before the bride.
Archer opened his eyes (but could they really have been shut, as he imagined?), and he felt his heart beginning to resume its usual task. The music, the scent of the lilies on the altar, the vision of the cloud of tulle and orange-blossoms floating nearer and nearer, the sight of Mrs. Archer’s face suddenly convulsed with happy sobs, the low benedictory murmur of the Rector’s voice, the ordered