The Alexandria Quartet - Lawrence Durrell [100]
Clouds of dust rise now as the cars begin to draw away towards the city; the wild gang of boatmen shout and wave and treat us to carved water-melon smiles studded with gold and ivory. Hamid opens the car door and climbs in like a monkey. ‘What is it?’ I say, and folding his small hands apologetically towards me in an atti-tude of supplication which means ‘Blame not the bearer of ill tid-ings’ he says in a small conciliatory voice: ‘Master, the lady has gone. There is a letter for you in the house.’
It is as if the whole city had crashed about my ears: I walk slowly to the flat, aimlessly as survivors must walk about the streets of their native city after an earthquake, surprised to find how much that had been familiar has changed, Rue Piroua, Rue de France, the Terbana Mosque (cupboard smelling of apples), Rue Sidi Abou El Abbas (water-ices and coffee), Anfouchi, Ras El Tin (Cape of Figs), Ikingi Mariut (gathering wild flowers together, con-vinced she cannot love me), equestrian statue of Mohammed Ali in the square…. General Earle’s comical little bust, killed Sudan 1885…. An evening multitudinous with swallows … the tombs at Kom El Shugafa, darkness and damp soil, both terrified by the darkness…. Rue Fuad as the old Canopic Way, once Rue Ros-ette…. Hutchinson disturbed the whole water-disposition of the city by cutting the dykes…. The scene in Moeurs where he tries to read her the book he is writing about her. ‘She sits in the wicker chair with her hands in her lap, as if posing for a portrait, but with a look of ever-growing horror on her face. At last I can stand it no longer, and I throw down the manuscript in the fireplace, crying out: “What are they worth, since you understand nothing, these pages written from a heart pierced to the quick?” ’ In my mind’s eye I can see Nessim racing up the great staircase to her room to find a distraught Selim contemplating the empty cupboards and a dressing table swept clean as if by a blow from a leopard’s paw. In the harbour of Alexandria the sirens whoop and wail. The screws of ships crush and crunch the green oil-coated waters of the inner bar. Idly bending and inclining, effortlessly breathing as if in the rhythm of the earth’s own systole and diastole, the yachts turn their spars against the sky. Somewhere in the heart of ex-perience there is an order and a coherence which we might surprise if we were attentive enough, loving enough, or patient enough. Will there be time?
PART IV
he disappearance of Justine was something new to be
borne. It changed the whole pattern of our relationship. It T was as if she had removed the keystone to an arch: Nessim and I left among the ruins, so to speak were faced with the task of repairing a relationship which she herself had invented and which her absence now rendered hollow, echoing with a guilt which would, I thought, henceforward always overshadow affection. His suffering was apparent to everyone. That expressive face took on a flayed unhealthy look — the pallor of a church martyr. In seeing him thus I was vividly reminded of my own feelings during the last meeting with Melissa before she left for the clinic in Jerusalem. The candour and gentleness with which she said:
‘The whole thing is gone…. It may never come back…. At least this separation.’ Her voice grew furry and moist, blurring the edges of the words. At this time she was quite ill. The lesions had opened again. ‘Time to reconsider