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The Alexandria Quartet - Lawrence Durrell [140]

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lash uncurled slowly on the air and then went rigid with a sudden dull welt of sound, a sullen thwack, and laughing, the rider dismounted to pick up the mutilated creature, still warm and palpitating, its wings half-severed from its body, its head smashed. He brought it back to Nessim in triumph, wiping his hand casually on his baggy trousers. ‘What do you think?’ Nessim gripped and admired the great whip while his brother threw the dead fowl to his factor, still laughing himself, and so slowly remounted. They rode side by side now, as if the spell upon their communication were broken, and Nessim talked of the new machinery which had been ordered and heard of Narouz’ battle against drought and sand-drift. In such neutral subjects they could lose themselves and become natural. United most closely by such topics, they were like two blind people in love who can only express themselves through touch: the subject of their hands.

The holdings became richer now, planted out with tamarisk and carob, though here and there they passed the remains of properties abandoned by owners too poor or too lazy to contend with the deserts, which encircled the fertile strip on three sides. Old houses, fallen now into desuetude, abandoned and overgrown, stared out across the water with unframed windows and shattered doors. Their gates, half-smothered in bougainvillaea, opened rustily into gardens of wild and unkempt beauty where marble fountains and rotted statuary still testified to a glory since departed. On either side of them one could glimpse the well-wooded lands which formed the edge, the outer perimeter of the family estates — palm, acacia and sycamore which still offered the precarious purchase to life which without shade and water perished, reverted to the desert. Indeed, one was conscious of the desert here although one

could not see it — melodramatically tasteless as a communion wafer.

Here an old island with a ruined palace; there tortuous paths and channels of running water where the slim bird-forms of river-craft moved about their task of loading tibbin (corn); they were nearing the village now. A bridge rose high upon mudbanks, crowned by a magnificent grove of palms, with a row of coloured boats waiting for the boom to lift. Here on the rise one glimpsed for a moment the blue magnetic haze of a desert horizon lying beyond this hoarded strip of plenty, of green plantations and water. Round a corner they came upon a knot of villagers waiting for them who set up cries of ‘What honour to the village!’ and ‘You bring blessings!’ walking beside them as they rode smiling on-wards. Some advanced on them, the notables, catching a hand to kiss, and some even kissing Nessim’s stirrup-irons. So they passed through the village against its patch of emerald water and dominated by the graceful fig-shaped minaret, and the cluster of dazzling beehive domes which distinguished the Coptic church of their forefathers. From here, the road turned back again across the fields to the great house within its weather-stained outer walls, ruined and crumbling with damp in many places, and in others covered by such graffiti as the superstitious leave to charm the afreet — black talismanic handprints, or the legend ‘ B’ ism’ illah ma’ sha’ llah’ (may God avert evil). It was for these pious villagers that its tenants had raised on the corners of the wall tiny wooden windmills in the shape of men with revolving arms, to scare the afreet away. This was the manor-house of Karm Abu Girg which belonged to them.

Emin, the chief steward, was waiting at the outer gate with the usual gruff greetings which custom demanded, surrounded by a group of shy boys to hold the horses and help their riders dis-mount. The great folding doors of the courtyard with their pistol bo lts and inscribed panels were set back so that they could walk directly into the courtyard against which the house itself was built, tilted upon two levels — the ceremonial first floor looking down side-ways along the vaulted arches below — a courtyard with its gran-aries and reception-rooms, storehouses

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