The Alexandria Quartet - Lawrence Durrell [20]
so keenly did I feel her embarrassment.
Afterwards when I got back to the flat a little tipsy and ex-hilarated from dancing with Justine I found her still awake, boiling a kettle of water over the electric ring: ‘Oh, why’ she said ‘did you put all that money into the collecting tray? A whole week’s wages: are you mad? What will we eat tomorrow?’
We were both hopelessly improvident in money matters, yet somehow we managed better together than apart. At night, walking back late from the night-club, she would pause in the alley outside the house and if she saw my light still burning give a low whistle and I, hearing the signal, would put down the book I was reading and creep quietly down the staircase, seeing in my mind’s eye her lips pursed about that low liquid sound, as if to take the soft im-print of a brush. At the time of which I write she was still be ing followed about and importuned by the old man or his agents. Without exchanging a word we would join hands and hurry down the maze of alleys by the Polish Consulate, pausing from time to time in a dark doorway to see if there was anyone on our trail. At last, far down where the shops tailed away into the blue we would step out into the sea-gleaming milk-white Alexandrian midnight —
our preoccupations sliding from us in that fine warm air; and we would walk towards the morning star which lay throbbing above the dark velvet breast of Montaza, touched by the wind and the waves.
In these days Melissa’s absorbed and provoking gentleness had all the qualities of a rediscovered youth. Her long uncertain fingers
— I used to feel them moving over my face when she thought I slept, as if to memorize the happiness we had shared. In her there was a pliancy, a resilience which was Oriental — a passion to serve. My shabby clothes — the way she picked up a dirty shirt seemed to engulf it with an overflowing solicitude; in the morning I found my razor beautifully cleaned and even the toothpaste laid upon the brush in readiness. Her care for me was a goad, provok-ing me to give my life some sort of shape and style that might match the simplicity of hers. Of her experiences in love she would never speak, turning from them with a weariness and distaste which suggested that they had been born of necessity rather than desire. She paid me the compliment of saying: ‘For the first time I am not afraid to be light-headed or foolish with a man.’
Being poor was also a deep bond. For the most part our excur-sions were the simple excursions that all provincials make in a sea-side town. The little tin tram bore us with the clicking of its wheels to the sand-beaches of Sidi Bishr, or we spent Shem El Nessim in the gardens of Nouzha, camped on the grass under the oleanders among some dozens of humble Egyptian families. The inconvenience of crowds brought us both distraction and great intimacy. By the rotting canal watching the children dive for coins in the ooze, or eating a fragment of water-melon from a stall we wandered among the other idlers of the city, anonymously happy. The very names of the tram stops echoed the poetry of these journeys: Chatby, Camp de César, Laurens, Mazarita, Glymeno-poulos, Sidi Bishr…. Then there was the other side: coming back late at night to find her asleep with her red slippers kicked off and the little hashish-pipe beside her on the pillow … I would know that one of her depressions had set in. At such times there was nothing to be done with her; she would become pale, melancholy, exhausted-look ing, and would be unable to rouse herself from her lethargy for days at a time. She talked much to herself, and would spend hours listening to the radio and yawning, or going negligently through a bundle of old film magazines. At such times