The Alexandria Quartet - Lawrence Durrell [205]
For identification purposes they were quite useless. There were eight in all — each a fearful simulacrum of a death-feast celebrated by satyr-monks in some medieval crypt, each imagined by Sade!
‘There’s the one with the ring’ said Balthazar as the fifth picture came up and hovered before us on the wall. A group of hooded figures, frenziedly swaying with linked arms, wallowed before us, expressionless as cuttlefish, or those other grotesque monsters one sometimes sees lurking in the glooms of aquaria. Their eyes were slits devoid of meaning, their gaiety a travesty of everything human. So this is how Inquisitors behave when they are off duty! Keats
sighed in despair. One of the figures had a hand upon another’s black-robed arm. The hand bore a just recognizable dash of white to indicate Justine’s unlucky ring. Nimrod described it all care-fully to himself with the air of a man reading a gauge. ‘Five maskers
… somewhere near the buffet, you can see the corner…. But the hand. Is it de Brunel’s? What do you think?’ I stared at it. ‘I think it must be’ I said. ‘Justine wears the ring on another finger.’
Nimrod said ‘Hah’ triumphantly and added ‘A good point there.’
Yes, but who were the other figures, snatched thus fortuitously out of nothingness by the flash-bulb? We stared at them and they stared expressionlessly back at us through their velvet slits like snipers.
‘No good’ said Balthazar at last with a sigh, and Nimrod switched off the humming machine. After an instant’s darkness the ordinary electric light came up in the room. His desk was stacked up with typed papers for signature — the procès-verbal I had no doubt. On a square of grey silk lay several objects with a direct relationship to our brimming thoughts — the great hatpin with its ugly blue stone head, and the eburnine ring of my lover which I could not see even now without a pang.
‘Sign up’ said Nimrod, indicating the paper ‘when you’ve read your copy, will you?’ He coughed behind his hand and added in a lower tone ‘And you can take the ring.’
Balthazar handed it to me. It felt cold, and it was faintly dusted with fingerprint powder. I cleaned it on my tie and put it in my fob-pocket. ‘Thank you’ I said, and took a seat at the desk to read through the Police formula, while the others lit cigarettes and talked in low voices. Beside the typewritten papers lay another, written in the nervous shallow hand of General Cervoni. It was the inv itation list to the carnival ball, still echoing with the majestic poetry of the names which had come to mean so much to me, the names of the Alexandrians. Listen:
Pia dei Tolomei, Benedict Dangeau, Dante Borromeo, Colonel Neguib, Toto de Brunel, Wilmot Pierrefeu, Mehmet Adm, Pozzo di Borgo, Ahmed Hassan Pacha, Delphine de Francueil, Djam-boulat Bey, Athena Trasha, Haddad Fahmy Amin, Gaston Phipps, Pierre Balbz, Jacques de Guéry, Count Banubula, Onouphrios Papas, Dmitri Randidi, Paul Capodistria, Claude Amaril, Nessim Hosnani, Tony Umbada, Baldassaro Trivizani, Gilda Ambron….
I murmured the names as I read through the list, mentally adding the word ‘murderer’ after each, simply to see whether it sounded appropriate. Only when I reached the name of Nessim did I pause and raise my eyes to the dark wall — to throw his mental image there and study it as we had studied the pictures. I still saw the expression on his face as I had helped to tuck him into the great car — an expression of curious impish serenity, as