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The Alexandria Quartet - Lawrence Durrell [246]

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a poem which impinged upon his memory, filling him with a sudden chill of misgiving. It was inscribed to the poet’s sister and was unmistakingly a love-poem to ‘a blind girl whose hair is painted black’. At once he saw the white serene face of Liza Pursewarden rising up from the text. Greek statues with their bullet holes for eyes

Blinded as Eros by surprise,

The secrets of the foundling heart disguise,

Lover and loved….

It had a kind of savage deliberate awkwardness of surface; but it was the sort of poem a modern Catullus might have written. It made Mountolive extremely thoughtful. Swallowing, he read it again. It had the simple beauty of shamelessness. He stared gravely at the wall for a long time before slipping the book into an envelope and addressing it to Leila.

There were no further meetings during that month, though once or twice Mountolive tried to telephone to Pursewarden at his office. But each time he was either on leave or on some obscure mission in the north of England. Nevertheless he traced the sister and took her out to dinner on several occasions, finding her a delightful and somehow moving companion.

Leila wrote in due course to thank him for his information, adding characteristically: ‘The poems were splendid. But of course I would not wish to meet an artist I admired. The work has no connection with the man, I think. But I am glad he is coming to Egypt. Perhaps Nessim can help him — perhaps he can help Nessim? We shall see.’

Mountolive did not know what the penultimate phrase meant. The following summer, however, his leave coincided with a visit to Paris by Nessim, and the two friends met to enjoy the galleries and plan a painting holiday in Brittany. They had both recently started to try their hands at painting and were full of the fervour of amateurs in a new medium. It was here in Paris that they ran into Pursewarden. It was a happy accident, and Mount-

olive was delighted at the chance of making his path smooth for him by this lucky introduction. Pursewarden himself was quite transfigured and in the happiest of moods, and Nessim seemed to like him immensely. When the time came to say good-bye, Mount-olive had the genuine conviction that a friendship had been estab-lished and cemented over all this good food and blithe living. He saw them off at the station and that very evening reported to Leila on the notepaper of his favourite café: ‘It was a real regret to put them on the train and to think that this week I shall be back in Russia! My heart sinks at the thought. But I have grown to like P. very much, to understand him better. I am inclined to put down his robust scolding manners not to boorishness as I did, but to a profoundly hidden shyness, almost a feeling of guilt. His conversation this time was quite captivating. You must ask Nessim. I believe he liked him even more than I did. And so …

what? An empty space, a long frozen journey. Ah! my dear Leila, how much I miss you — what you stand for. When will we meet again, I wonder? If I have enough money on my next leave I may fly down to visit you….’

He was unaware that quite soon he would once more find his way back to Egypt — the beloved country to which distance and exile lent a haunting brilliance as of tapestry. Could anything as rich as memory be a cheat? He never asked himself the question.

* * * * *

III

he central heating in the Embassy ballroom gave out a thick furry warmth which made the air taste twice-used; but T the warmth itself was a welcome contrast to the frigid pine-starred landscapes outside the tall windows where the snow fell steadily, not only over Russia, it seemed, but over the whole world. It had been falling now for weeks on end. The numb drowsiness of the Soviet winter had engulfed them all. There seemed so little motion, so little sound in the world outside the walls which enclosed them. The tramp of soldiers’ boots between

the shabby sentry-boxes outside the iron gates had died away now in the winter silence. In the gardens the branches of the trees bowed lower and lower under the freight

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