The Alexandria Quartet - Lawrence Durrell [252]
Russia was behind him.
* * * * *
Berlin was also in the grip of snow, but here the sullen goaded helplessness of the Russias was replaced by a malignant euphoria hardly less dispiriting. The air was tonic with gloom and uncer-tainty. In the grey-green lamplight of the Embassy he listened thoughtfully to the latest evaluations of the new Attila, and a valuable summary of the measured predictions which for months past had blackened the marbled minute-papers of German Department, and the columns of the P.E. printings — political evaluations. Was it really by now so obvious that this nation-wide exercise in political diabolism would end by plunging Europe into bloodshed? The case seemed overwhelming. But there was one hope — that Attila might turn eastwards and leave the cower-ing west to moulder away in peace. If the two dark angels which hovered over the European subconscious could only fight and destroy each other…. There was some real hope of this. ‘The only hope, sir’ said the young attaché quietly, and not without a certain relish, so pleasing to a part of the mind is the prospect of total destruction, as the only cure for the classical ennui of modern man. ‘The only hope’ he repeated. Extreme views, thought Mountolive, frowning. He had been taught to avoid them. It had become second nature to remain uncommitted in his mind.
That night he was dined somewhat extravagantly by the youthful Chargé d’Affaires, as the Ambassador was absent on duty, and after dinner was taken to the fashionable Tanzfest for the cabaret. The network of candle-lit cellars, whose walls were lined with blue damask, was ruled with the glow of a hundred cigarettes, twinkling away like fireflies outside the radius of white lights where a huge hermaphrodite with the face of a narwhal conducted the measures of the ‘Fox Macabre Totentanz’. Bathed
in the pearly sweat of the nigger saxophonists the refrain ran on with its hysterical coda:
Berlin, dein Tanzer ist der Tod!
Berlin, du wuhlst mit Lust im Kot!
Halt ein! lass sein! und denk ein bischen nach:
Du tanzt dir dock vom Leibe nicht die Schmach.
denn du boxt, und du jazzt, und du foxt auf dem Pulverfass!
It was an admirable commentary on the deliberations of the afternoon and underneath the frenetic licence and fervour of the singing he seemed to catch the drift of older undertones —
passages from Tacitus, perhaps? Or the carousings of death-dedicated warriors heading for Valhalla? Somehow the heavy smell of the abattoir clung to it, despite the tinsel and the streamers. Thoughtfully Mountolive sat among the white whorls of cigar-smoke and watched the crude peristaltic movements of the Black Bottom. The words repeated themselves in his mind over and over again. ‘You won’t dance the shame out of your belly,’ he repeated to himself as he watched the dancers break out and the lights change from green and gold to violet.
Then he suddenly sat up and said ‘My Goodness!’ He had caught sight of a familiar face in a far corner of the cellar: that of Nessim. He was seated at a table among a group of elderly men in evening-dress, smoking a lean cheroot and nodding from time to time. They were taking scant notice of the cabaret. A magnum of champagne stood upon the table. It was too far to depend upon signals and Mountolive sent over a card, waiting until he saw Nessim follow the waiter’s po int ing finger before he smiled and raised a hand. They both stood up, and Nessim at once came over to his table with his warm shy smile to utter the conventional exclamations of surprise and delight. He was, he said, in Berlin on a two-day business visit. ‘Trying to market tungsten’ he added quietly. He was flying back to Egypt at dawn next morning. Mountolive introduced him to his own host and persuaded him to spend a few moments at their table. ‘It is such a rare pleasure —
and now.’ But Nessim had already heard the rumour of his impending appointment. ‘I know it isn’t confirmed yet,’ he said,
‘but it leaked just