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The Alexandria Quartet - Lawrence Durrell [348]

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drew his nag slowly back on to the lighted macadam of the Grande Corniche and set the gharry moving at walking pace. Here the sharp blue street-lamps came, up one after the other to peer into the cab, and with the first of these intrusive gleams of light Mountolive turned to gaze at the woman beside him. He could very dimly recognize her. He saw a plump and square-faced Egyptian lady of uncertain years, with a severely pock-marked face and eyes drawn grotesquely out of true by the antimony-pencil. They were the mutinous sad eyes of some clumsy cartoon creature: a cartoon of animals dressed up and acting as human beings. She had indeed been brave enough to unveil, this stranger who sat facing him, staring at him with the painted eye one sees in frescoes with a forlorn and pitiable look of appeal. She wore an air of un-steady audacity as she confronted her lover, though her lips trembled and her large jowls shook with every vibration of the solid rubber tyres on the road. They stared at each other for a full two seconds before the darkness swallowed the light again. Then he raised her hand to his lips. It was shaking like a leaf. In the momentary light he had seen her uncombed and straggly hair hanging down the back of her neck, her thoughtless and disordered black dress. Her whole appearance had a rakish and improvised air. And the dark skin, so cruelly botched and cicatriced by the smallpox, looked coarse as the skin of an elephant. He did not recognize her at all! ‘Leila!’ he cried (it was almost a groan) pre-tending at last to identify and welcome the image of his lover (now dissolved or shattered forever) in this pitiable grotesque — a fattish Egyptian lady with all the marks of eccentricity and age written upon her appearance. Each time the lamps came up he looked again, and each time he saw himself confronting something like an animal cartoon figure — an elephant, say. He could hardly pay attention to her words, so intent was he upon his racing feelings and memories. ‘I knew we should meet again some day. I knew it.’

She pressed his hand, and again he tasted her breath, heavy with sesame and mint and whisky.

She was talking now and he listened uneasily, but with all the attention one gives to an unfamiliar language; and each time

the street lamps came up to peer at them, he gazed at her anxiously — as if to see whether there had been any sudden and magical change in her appearance. And then he was visited by another thought: ‘What if I too have changed as much as she has — if indeed this is she?’ What indeed? Sometime in the distant past they had exchanged images of one another like lockets; now his own had faded, changed. What might she see upon his face — traces of the feebleness which had overrun his youthful strength and purpose? He had now joined the ranks of those who compromise gracefully with life. Surely his ineffectuality, his unmanliness must be written all over his foolish, weak, good-looking face? He eyed her mournfully, with a pitiful eagerness to see whether she indeed really recognized him. He had forgotten that women will never surrender the image of their hearts’ affec-tions; no, she would remain forever blinded by the old love, refusing to let it be discountenanced by the new. ‘You have not changed by a day’ said this unknown woman with the disagreeable perfume. ‘My beloved, my darling, my angel.’ Mountolive flushed in the darkness at such endearments coming from the lips of an unknown personage. And the known Leila? He suddenly realized that the precious image which had inhabited his heart for so long had now been dissolved, completely wiped out! He was suddenly face to face with the meaning of love and time. They had lost for-ever the power to fecundate each other’s minds! He felt only self-pity and disgust where he should have felt love! And these feelings were simply not permissible. He swore at himself silently as they went up and down the dark causeway by the winter sea, like invalids taking the night air, their hands touching each other, in the old horse-drawn cab. She was talking faster,

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