The Alexandria Quartet - Lawrence Durrell [360]
At any rate, his master’s posture of readiness would frighten him, for he had seen the whip in action before…. The noise again. A water-rat plopped into the channel and swam quickly away. Among the bushes on two sides of the ride he could see ind istinct movements. He sat, as immobile as an equestrian statue, his
pistol grasped lightly in the left hand, his whip lying slightly behind him, his arm curved in the position of a fisherman about to make a long cast. So he waited, smiling. His patience was endless.
* * * * *
The sound of distant shooting upon the lake was a common-place among the vocabulary of lake-sounds; it belonged to the music of the gulls, visitants from the seashore, and the other water-birds which thronged the reed-haunted lagoons. When the big shoots were on the ripple of thirty guns in action at one and the same time flowed tidelessly out into the air of Mareotis like a cadenza. Habit taught one gradually to differentiate between the various sounds and to recognize them — and Nessim too had spent his childhood here with a gun. He could tell the difference between the deep tang of a punt gun aimed at highflying geese and the flat biff of a twelve-bore. The two men were standing by their horses at the ferry when it came, a small puckering of the air merely, falling upon the ear-drum in a patter: raindrops sliding from an oar, the drip of a tap in an old house, were hardly less in volume. But it was certainly shooting. Balthazar turned his head and gazed out over the lake. ‘That sounded pistolish’ he said; Nessim smiled and shook his head. ‘Small calibre rifle, I should say. A poacher after sitting duck?’ But there were more shots than could be accommodated at one time in the magazine of either weapon. They mounted, a little puzzled that the horses had been sent for them but that Ali had disappeared. He had tied the animals to the hitching-post of the ferry, commending them to the care of the ferryman, and vanished in the mist. They rode briskly down the embankments side by side. The sun was up now and the whole surface of the lake was rising into the sky like the floor of a theatre, pouring upwards with the mist; here and there reality was withered by mirages, landscapes hanging in the sky upside down or else four or five superimposed on each other with the effect of a multiple exposure. The first indication of anything amiss was a figure dressed in white robes which fled into the mist — an unheard-of action in that peaceful country. Who would fly from two horsemen on the Karm Abu Girg road? A vagabond? They stopped in bemused wonder.
‘I thought I heard shouts’ said Nessim at last in a small constrained voice, ‘towards the house.’ As if both were stimulated by the same simultaneous anxiety, they pushed their horses into a brisk gallop, heading them for the house.
A horse, Narouz’ horse, now riderless, stood trembling outside the open gates of the manor house. It had been shot through the lips — a profusely-bleeding graze which gave it a weird bloody smile. It whinnied softly as they came up. Before they had time to dismount there came shouts from the palm-grove and a flying figure burst through the trees waving to them. It was Ali. He pointed down among the plantations and shouted the name of Narouz. The name, so full of omens for Nessim, had a curiously obituary ring already, though he was not as yet dead. ‘By the Holy Tree’ shouted Ali, and both men drove their heels into their horses’
flanks and crashed into the plantation as fast as they could go. He was lying on the grass underneath the nubk tree with his head and neck supported by it, an angle which cocked his face forward so that he appeared to be studying