The Alexandria Quartet - Lawrence Durrell [366]
Presently, however, when the first long passion of grief had been expressed, Nessim sent for the priests who would add the light of tall bloodless candles and the noise of the psalms to the sound of water and sponge — for the body must be washed. They came at last. The body-washers were the two beadles of the little Coptic Church — ignorant louts both. Here a hideous altercation broke out, for the dead man’s clothes are the per-quisites of the layer-out, and the beadles could find nothing in Narouz’ shabby wardrobe which seemed an adequate recom-pense for the trouble. A few old cloaks and boots, a torn nightshirt, and a small embroidered cap which dated from his circumcision
— that was all Narouz owned. Nor would the beadles accept money — that would have been unlucky. Nessim began to rage, but they stood there obstinate as mules, refusing to wash Narouz without the ritual payment. Finally both Nessim and Balthazar were obliged to get out of their own suits in order to make them over to the beadles as payment. They put on the tattered old clothes of Narouz with a shiver of dread — cloaks which hung down like a graduate’s gown upon their tall figures. But somehow the ceremony must be completed, so that he could be taken to the church at dawn for burial — or else the ceremonial mourners might keep up the performance for days and nights together: in the olden times such mourning lasted forty days! Nessim also
ordered the coffin to be made, and the singing was punctuated all night by the sound of hammers and saws in the wheelwright’s yard hard by. Nessim himself was completely exhausted by now, and dozed fitfully on a chair, being woken from time to time by a burst of keening or by some personal problem which remained to be solved and which was submitted to his arbitration by the servants of the house.
Sounds of chanting, rosy flickering of candle-light, swish of sponges and the scratching of a razor upon dead flesh. The ex-perience gave no pain now, but an unearthly numbness of spirits. The sound of water trickling and of sponges crushing softly upon the body of his brother, seemed part of an entirely new fabric of thought and emotion. The groans of the washers as they turned him over; the thump of the body on the table as it turned over. The soft thump of a hare’s dead body when it is thrown on to a kitchen table…. He shuddered.
Narouz at last, washed and oiled and sprinkled with rosemary and thyme, lay at ease in his rough coffin clad in the shroud which he, like every Copt, had preserved against this moment; a shroud made of white flax which had been dipped in the River Jordan. He had no jewels or rich costumes to take to the grave with him, but Balthazar coiled the great bloodstained whip and placed it under his pillow. (The next morning the servants were to carry in the body of a wretch whose whole face had been pulped by the blows of this singular weapon; he had run, it seems, screaming, unrecognizable, across the plantation to fall insensible in a dyke and drown. So thoroughly had the whip done its work that he was unidentifiable.)
The first part of the work was now complete and it only re-mained to wait for dawn. Once more the mourners were admitted to the room of death where Narouz lay, once more they resumed their passionate dancing and drumming. Balthazar took his leave now, for there was nothing