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The Alexandria Quartet - Lawrence Durrell [427]

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let us conciliate a world of listless curmudgeons who read to verify, not their intuitions, but their prejudices!

I remember old Da Capo saying one afternoon: ‘Today I had five girls. I know it will seem excessive to you. I was not trying to prove anything to myself. But if I said that I had merely blended five teas to suit my palate or five tobaccos to suit my pipe, you would not give the matter a second thought. You would, on the contrary, admire my eclecticism, would you not?’

The belly-furbished Kenilworth at the F.O. once told me plaintively that he had ‘just dropped in’ on James Joyce out of curiosity, and was surprised and pained to find him rude, arrogant and short-tempered. ‘But’ I said ‘he was paying for his privacy by giving lessons to niggers at one and six an hour! He might have been entitled to feel safe from ineffables like yourself who imagine that art is something to which a good education automatically entitles you; that it is a part of a social equipment, class aptitude, like painting water-colours was for a Victorian gentlewoman! I can imagine his poor heart sinking as he studied your face, with its ex-pression of wayward condescension — the fathomless self-esteem which one sees occasionally flit across the face of a goldfish with a hereditary title!’ After this we never spoke, which was what I

wanted. The art of making necessary enemies! Yet one thing I liked in him: he pronounced the word ‘Civilization’ as if it had an S-bend in it.

(Brother Ass is on symbolism now, and really talking good sense, I must admit.) Symbolism! The abbreviation of language into poem. The heraldic aspect of reality! Symbolism is the great repair-outfit of the psyche, Brother Ass, the fond de pouvoir of the soul. The sphincter-loosening music which copies the ripples of the soul’s progress through human flesh, playing in us like electricity! (Old Parr, when he was drunk, said once: ‘Yes, but it hurts to realize!’)

Of course it does. But we know that the history of literature is the history of laughter and pain. The imperatives from which there is no escape are: Laugh till it hurts, and hurt till you laugh!

The greatest thoughts are accessible to the least of men. Why do we have to struggle so? Because understanding is a function not of ratiocination but of the psyche’s stage of growth. There, Brother Ass, is the point at which we are at variance. No amount of explanation can close the gap. Only realization! One day you are going to wake from your sleep shouting with laughter. Ecco!

About Art I always tell myself: while they are watching the firework display, yclept Beauty, you must smuggle the truth into their veins like a filter-passing virus! This is easier said than done. How slowly one learns to embrace the paradox! Even I am not there as yet; nevertheless, like that little party of explorers,

‘Though we were still two days’ march from the falls we suddenly heard their thunder growing up in the distance’! Ah! those who merit it may one day be granted a rebirth-certificate by a kindly Government Department. This will entitle them to receive every-thing free of charge — a prize reserved for those who want nothing. Celestial economics, about which Lenin is strangely silent! Ah! the gaunt faces of the English muses! Pale distressed gentlewomen in smocks and beads, dispensing tea and drop-scones to the unwary!

The foxy faces

Of Edwardian Graces

Horse-faces full of charm

With strings of beads

And a packet of seeds

And an ape-tuft under each arm!

Society! Let us complicate existence to the point of drudgery so that it acts as a drug against reality. Unfair! Unfair! But, my dear Brother Ass, the sort of book I have in mind will be char-acterized by the desired quality which will make us rich and famous: it will be characterized by a total lack of codpiece!

When I want to infuriate Balthazar I say: ‘Now if the Jews would only assimilate they would give us a valuable lead in the matter of breaking down puritanism everywhere. For they are the licence-holders and patentees of the closed system, the ethical response!

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