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The Alexandria Quartet - Lawrence Durrell [473]

By Root 13901 0
with shut eyes, like a dement.

‘Clea, what on earth is it?’ For a long moment we knelt there together, I in great perplexity. Her eyes were fast shut. I could feel the cool wind from the window pouring into the room. The silence, save for our exclamations, was complete. At last she gave a great sigh of relaxation, a long sobbing respiration, and un-fastened her ears, stretched her limbs slowly, as if unbinding them from painful cramps. She shook her head at me as if to say that it was nothing. And walking like a drunkard to the bathroom she was violently sick in the wash-basin. I stood there like a sleep-walker; feeling as if I had been uprooted. At last she came back, got into bed and turned her face to the wall. ‘What is it, Clea?’

I asked again, feeling foolish and importunate. Her shoulders

trembled slightly under my hand, her teeth chattered lightly from cold. ‘It is nothing, really nothing. A sudden splitting headache. But it has gone. Let me sleep now, will you?’

In the morning she was up early to make the breakfast. I thought her exceptionally pale — with the sort of pallor that might come after a long and agonizing toothache. She complained of feeling listless and weary.

‘You frightened me last night’ I said, but she did not answer, turning away evasively from the subject with a curious look of anxiety and distress. She asked to be allowed to spend the day alone painting, so I took myself off for a long walk across the town, teased by half-formulated thoughts and premonitions which I somehow could not make explicit to myself. It was a beautiful day. High seas were running. The waves flailed the Spouting Rocks like the pistons of some huge machine. Immense clouds of spray were flung high into the air like the explosion of giant puff-balls only to fall back in hissing spume upon the crown of the next wave. I stood watching the spectacle for a long time, feeling the tug of the wind at the skirt of my overcoat and the cool spray on my cheeks. I think I must have known that from this point onward everything would be subtly changed. That we had entered, so to speak, a new constellation of feelings which would alter our relationship.

One speaks of change, but in truth there was nothing abrupt, coherent, definitive about it. No, the metamorphosis came about with comparative slowness. It waxed and waned like a tide, now advancing now retreating. There were even times when, for whole weeks, we were apparently completely restored to our former selves, reviving the old raptures with an intensity born now of insecurity. Suddenly for a spell we would be once more com-pletely identified in each other, inseparable: the shadow had lifted. I tell myself now — and with what truth I still do not know

— that these were periods when for a long time she had not heard the weeping which she once long ago described as belonging to a she-camel in distress or some horrible mechanical toy. But what could such nonsense really mean to anyone — and how could it elucidate those other periods when she fell into silence and moroseness, became a nervous and woebegone version of her old self? I do not know. I only know that this new personage was

subject to long distracted silences now, and to unusual fatigues. She might, for example, fall asleep on a sofa in the middle of a party and begin to snore: as if overcome with weariness after an immensely long vigil. Insomnia too began to play its part, and she resorted to relatively massive doses of barbiturates in order to seek release from it. She was smoking very heavily indeed.

‘Who is this new nervy person I do not recognize?’ asked Balthazar in perplexity one evening when she had snapped his head off after some trivial pleasantry and left the room, banging the door in my face.

‘There’s something wrong’ I said. He looked at me keenly for a moment over a lighted match. ‘She isn’t pregnant?’ he asked, and I shook my head. ‘I think she’s beginning to wear me out really.’ It cost me an effort to bring out the words. But they had the merit of offering something like a plausible explanation

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