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The Alexandria Quartet - Lawrence Durrell [490]

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had run skewers through their cheeks, others licked red-hot knives. At last came the courtly figure of Abu Zeid with his little group of retainers on magnificently caparisoned ponies, their cloaks swelling out behind them, their arms raised in salutation like knights embarking on a tournament. Before them ran a helter skelter collection of male prostitutes with powdered faces and long flowing hair, chuckling and ejaculating like chickens in a farm-yard. And to all this queer discontinuous and yet somehow congruent mass of humanity the music lent a sort of homogeneity; it bound it and confined it within the heart-beats of the drums, the piercing skirl of the flutes, the gnashing of the cymbals. Circling, proceeding, halting: circling, proceeding, halting, the lon g dancing lines moved on towards the tomb, bursting through the great portals of Scobie’s lodgings like a tide at full, and deploying across the brilliant square in clouds of dust. And as the chanters moved forward to recite the holy texts six Mevlevi dervishes suddenly took the centre of the stage, expanding

in a slow fan of movement until they had formed a semicircle. They wore brilliant white robes reaching to their green slippered feet and tall brown hats shaped like huge bombes glacées. Calmly, beautifully, they began to whirl, these ‘tops spun by God’, while the music of the flutes haunted them with their piercing quibbles. As they gathered momentum their arms, which at first they hugged fast to their shoulders, unfolded as if by centrifugal force and stretched out to full reach, the right palm turned upward to heaven, the left downward to the ground. So, with heads and tall rounded hats tilted slightly, like the axis of the earth, they stayed there miraculously spinn ing, their feet hardly seeming to touch the floor, in this wonderful parody of the heavenly bodies in their perpetual motion. On and on they went, faster and faster, until the mind wearied of trying to keep pace with them. I thought of the verses of Jalaluddin which Pursewarden used sometimes to recite. On the outer circles the Rifiya had begun their display of self-mutilation, so horrible to behold and yet so apparently harm-less. The touch of a sheik’s finger would heal all these wounds pierced in the cheeks and breasts. Here a dervish drove a skewer through his nostrils, there another fell upon the point of a dirk, driving it up through his throat into his skull. But still the central knot of dancers continued its unswerving course, spinn ing in the sky of the mind.

‘My goodness’ said Balthazar at my elbow, with a chuckle, ‘I thought he was familiar. There’s the Magzub himself. The one at the further end. He used to be an absolute terror, more than half mad. The one who was supposed to have stolen the child and sold it to a brothel. Look at him.’

I saw a face of immense world-weary serenity, the eyes closed, the lips curved in a half-smile; as the dancer spun slowly to a halt this slender personage, with an air of half-playful modesty, took up a bundle of thorns and lighting it at a brazier thrust the blazing mass into his bosom against the flesh, and started to whirl once more like a tree in flames. Then as the circle came to a swaying halt he plucked it out once more and gave the dervish next to him a playful slap upon the face with it.

But now a dozen dancing circles intervened and took up the measure and the little courtyard overflowed with twisting turning

figures. From the little shrine came the steady drone of the holy word, punctuated by the shrill tongue trills of the votaries.

‘Scobie’s going to have a heavy night’ said Balthazar with irreverence. ‘Counting foreskins up there in the Moslem heaven.’

Somewhere far away I heard the siren of a ship boom in the harbour, recalling me to my senses. It was time to be going. ‘I’ll come down with you’ said Balthazar, and together we started to push and wriggle our way down the crowded street towards the Corniche.

We found a gharry and sat silent in it, hearing the music and drumming gradually receding as we traversed the long

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