The Alexandria Quartet - Lawrence Durrell [71]
One night he knelt down beside his bed — a thing he had not done since his twelfth year — and deliberately set himself to pray. He stayed there a long time, mentally spellbound, tongue-tied, with no words or thoughts shaping themselves in his mind. He was filled by some ghastly inh ibition like a mental stroke. He stayed like this until he could stand it no longer — until he felt that he was on the point of suffocating. Then he jumped into bed and drew the sheets over his head murmuring broken fragments of oaths and involuntary pleadings which he did not recognize as emanating from any part of himself.
Outwardly however there were no signs of these struggles to be seen; his speech remained dry and measured despite the fever of the thoughts behind it. His doctor complimented him on his ex-cellent reflexes and assured him that his urine was free from excess
albumen. An occasional headache only proved him to be a victim of petit mal — or some other such customary disease of the rich and idle.
For his own part he was prepared to suffer thus as long as the suffering remained within the control of his consciousness. What terrified him only was the sensation of utter loneliness — a reality which he would never, he realized, be able to communicate either to his friends or to the doctors who might be called in to pronounce upon anomalies of behaviour which they would regard only as symptoms of disorder.
He tried feverishly to take up his painting again, but without result. Self-consciousness like a poison seemed to eat into the very paint, making it sluggish and dead. It was hard even to manipulate the brush with an invisible hand pulling at one’s sleeve the whole time, hindering, whispering, displacing all freedom and fluidity of movement.
Surrounded as he was by this menacing twilight of the feelings he turned once more, in a vain effort to restore his balance and composure, to the completion of the Summer Palace — as it was jokingly called; the little group of Arab huts and stables at Abousir. Long ago, in the course of a ride to Benghazi along the lonely shoreline, he had come upon a fold in the desert, less than a mile from the sea, where a fresh spring suddenly burst through the thick sand pelt and hobbled a little way down towards the desolate beaches before it was overtaken and smothered by the dunes. Here the Bedouin, overtaken by the involuntary hunger for greenness which lies at the heart of all desert-lovers, had planted a palm and a fig whose roots had taken a firm subterranean grip upon the sandstone from which the pure water ran. Resting with the horses in the shade of these young trees, Nessim’s eye had dwelt with wonder upon the distant view of the old Arab fort, and the long-drawn white scar of the empty beach where the waves pounded night and day. The dunes had folded themselves hereabouts into a long shapely valley which his imagination had already begun to people with clicking pa lm-trees and the green figs which, as always near running water, offer a shade so deep as to be like a wet cloth pressed to the skull. For a year he had allowed the spot to mature in his imagination, riding out frequently to study it in every kind of weather, until he had mastered its properties. He had not
spoken of it to anyone, but in the back of his mind had lurked the idea of building a summer pleasure house for Justine — a minia-ture oasis where she could stable her three Arab thoroughbreds and pass the hottest season of the year in her favourite amusements, bathing and riding.