The Alexandria Quartet - Lawrence Durrell [77]
…. He said … I replied….’ His lips began to move, his eyes to unfocus themselves, as he retired into one of those public trances for
which he was famous, and from which he would awake with a start to astonish his interlocutors with a silly cod’s smile of apology. For my part I found it strange to revisit the little tank-like flat where I had passed nearly two years of my life; to recall that it was here, in this very room, that I had first encountered Melissa. It had undergone a great transformation at the hands of Pombal’s latest mistress. She had insisted upon its being panelled and painted off-white with a maroon skirting-board. The old arm-chairs whose stuffing used to leak slowly out of the rents in their sides had been re-upholstered in some heavy damask material with a pattern of fleur-de-lis while the three ancient sofas had been banished com-pletely to make floor-space. No doubt they had been sold or broken up. ‘Somewhere’ I thought in quotation from a poem by the old poet, ‘somewhere those wretched old things must still be knocking about.’ How grudging memory is, and how bitterly she clutches the raw material of her daily work.
Pombal’s gaunt bedroom had become vaguely fin de siècle and was as clean as a new pin. Oscar Wilde might have admitted it as a set for the first act of a play. My own room had reverted once more to a box-room, but the bed was still there standing against the wall by the iron sink. The yellow curtain had of course dis-appeared and had been replaced by a drab piece of white cloth. I put my hand to the rusted frame of the old bed and was stabbed to the heart by the memory of Melissa turning her candid eyes upon me in the dusky half-light of the little room. I was ashamed and surprised by my grief. And when Justine came into the room behind me I kicked the door shut and immediately began to kiss her lips and hair and forehead, squeezing her almost breathless in my arms lest she should surprise the tears in my eyes. But she knew at once, and returning my kisses with that wonderful ardour that only friendship can give to our actions, she murmured: ‘I know. I know.’
Then softly disengaging herself she led me out of the room and closed the door behind us. ‘I must tell you about Nessim’ she said in a low voice. ‘Listen to me. On Wednesday, the day before we left the Summer Palace, I went for a ride alone by the sea. There was a big flight of herring-gulls over the shoreline and all of a sudden I saw the car in the distance rolling and scrambling down the dunes towards the sea with Selim at the wheel. I couldn’t make
out what they were doing. Nessim was in the back. I thought she would surely get stuck, but no: they raced down to the water’s edge where the sand was firm and began to speed along the shore towards me. I was not on the beach but in a hollow about fifty yards from the sea. As they came racing level with me and the gulls rose I saw that Nessim had the old repeating-gun in his hands. He raised it and fired again and again into the cloud of gulls, until the magazine was exhausted. Three or four fell fluttering into the sea, but the car did not stop. They were past me in a flash. There must have been a way back from the long beach to the sandstone and so back on to the main road