The Alienist - Caleb Carr [124]
“Never mind, John,” he answered, looking out for the prison walls as the light around us began to diminish rapidly. “You’ll find out soon enough, and there are things you need to know before we go inside. First of all, the warden agreed to this visit only after I offered a fairly sizable bribe, and he will not greet us personally when we arrive. Only one other man, a guard called Lasky, knows who we are and what our purpose is. He will take the money and then guide us in and out, hopefully unnoticed. Say as little as possible, and nothing to Pomeroy.”
“Why not to Pomeroy? He’s not an official of the prison.”
“True,” Laszlo answered, as the monotonous edifice of Sing Sing’s thousand-cell main block appeared just ahead of us. “But although I believe Jesse can help us with the question of the mutilations, he’s entirely too perverse to do so if he knows what we’re up to. So, for a variety of reasons, make no mention of your name or our work at any point. I hardly need remind you”—Kreizler lowered his voice as we reached the prison’s front gate—“how very many dangers inhabit this place.”
CHAPTER 23
* * *
Sing Sing’s main block ran parallel to the Hudson, with several out-buildings, shops, and the two-hundred-cell women’s jail running perpendicular to it and toward the riverfront. A series of tall chimneys rose out of various buildings on the grounds and completed the image of a very dreary factory, one whose principal product, by that point in its history, was human misery. Convicts shared cells originally designed for individual prisoners, and the little maintenance work that was done in the place was not enough to counteract the powerful forces of decrepitude: the sights and smells of decay were everywhere. Even before we passed through the main gate, Kreizler and I could hear the monotonous sound of marching feet echoing out of the yard, and while this unhappy tramp was no longer punctuated by the crack of the cat—lashing had been outlawed in 1847—the ominous wooden clubs worn by the guards left no doubt about the primary method of maintaining discipline in the place.
The guard Lasky, an enormous, ill-shaved man of appropriately black temperament, eventually appeared, and after following him through the stone pathways and patchy grass borders of the yard we entered the main cell block. In one corner near the door several prisoners wearing iron and wood yokes that held their arms up and away from their bodies were being angrily berated by a group of guards, whose dark uniforms were no more tidy than our man Lasky’s and whose dispositions seemed, if anything, worse. As we entered the cell block proper, a sudden shout of pain shook Kreizler and me: inside one of the little four-by-eight-foot chambers more guards were going at one prisoner with a “hummingbird,” an electrical device that administered painful shocks. Both Kreizler and I had seen all this before, but familiarity did not breed acceptance. As we kept moving, I glanced at Laszlo once and saw my own reaction reflected in his face: given such a penal system, the high rate of recidivism in our society was really no mystery at all.
Jesse Pomeroy was being held all the way at the other end of the block, making it necessary for us to walk past dozens more cells full of faces that displayed an enormous range of emotions, from the deepest anguish and sorrow to the most sullen rage. As the rule of silence was enforced at all times we heard no distinct human voices, only an occasional whisper; and the echo of our own steps throughout the cell block, combined with the unceasing scrutiny of the prisoners, soon became almost maddening. When we reached the end of the building we entered a small, dank hallway that led into a tiny room with no real windows, just small chinks in the stone walls near the ceiling. Jesse Pomeroy was sitting in a strange sort of wooden stall inside this room. The stall had water pipes coming out of its top, but its interior was, so far as I could tell, bone dry. After a few seconds of puzzling with it, I realized what