The Alienist - Caleb Carr [143]
Every move the killer had made confirmed our theories concerning his nature and methods—but the most important aspect of his behavior, so far as Kreizler was concerned, was his attention to our efforts and his attack on Cyrus. Why had he chosen to steal Ernst Lohmann away when he knew that we were watching? And, once committed to such a dangerous course of action, why had he only knocked Cyrus unconscious instead of killing him? The man was, after all, already certain to go to the gallows, if caught, and he could only hang once. Why take the chance that Cyrus might put up a fight, get a glimpse of his attacker during it, and then live to tell us about it? Kreizler wasn’t at all sure that we could answer these questions definitely; but it was at least clear that the man had enjoyed the evening’s sense of heightened risk. And since he knew that we were getting closer to him, perhaps letting Cyrus live was his way of urging us on: a defiant challenge, as well as a desperate plea.
Important as all this no doubt was, I could not keep my mind from wandering, as Kreizler spoke, to thoughts of what had occurred on Bedloe’s Island that night. Beneath Bartholdi’s great statue—which symbolized freedom to so many but was now, in my mind, an ironic emblem of our killer’s slavery to a murderous obsession—another boy had met a terrible and undeserved end. I tried to stifle the vague but powerful image of a youth I’d never seen, bound and on his knees beneath Lady Liberty, trusting fully in the man who was about to wring his neck, and then feeling sudden, brief, all-consuming horror at the realization that he had given his trust unwisely and was going to pay the fullest possible price for his mistake. Then, in rapid succession, other pictures flashed across my mind: first the knife, that fearsome instrument created to meet the dangers of a world very unlike New York; then the long, slow, careful movements of that blade through flesh, and the sharp, mean chops at the limbs; the blood, no longer propelled by the heart, flowing out onto the grass and rocks in leisurely, thick streams; and the sickening grind and squeak of sharp steel against the ocular orbits of the skull…There was nothing that resembled justice or humanity in it. Whatever Ernst Lohmann’s way of making a living, whatever his error in trusting a stranger, the penalty was too severe, the price too abominably high.
When my attention returned to the ongoing conversation, I heard Kreizler hissing in frustrated urgency:
“Something—there’s got to be something new that we’ve learned tonight.”
Neither Marcus, Lucius, nor I spoke; but Stevie, who was glancing at each of us uncertainly, seemed to have something to say, and finally piped up with: “Well, there is one thing, Doctor.” Kreizler turned to him expectantly. “He’s losing his hair.”
And then I remembered the head that we’d thought belonged to Lucius but which had sat atop a body far too tall to be the detective sergeant’s. “That’s right,” I said. “We saw him—good Christ, Stevie, for that one moment we were looking at him!”
“Well? Well?” Kreizler demanded. “Surely you noticed something else.”
I looked to Stevie, who only shrugged. Tearing my own memory of that one instant apart like a demon, I sought a forgotten detail, one overlooked moment when I’d clearly seen…nothing. The back of a balding head. That was all that had been visible.
Kreizler sighed in great disappointment. “Balding, eh?” he said, as he scratched the word on the chalkboard. “Well,