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The Alienist - Caleb Carr [46]

By Root 1728 0
man. Was this apparent similarity of character a factor in their deaths, or simply a coincidence? It might have been the latter. But somehow I didn’t think Kreizler would find it so…

Lost in these thoughts, I didn’t quite hear Sara asking me a rather stunning question; but when she repeated it, the outlandishness of the notion became clear even to my distracted mind. We’d been through a great deal, however, that day, and I could not find it in me to disappoint her.

CHAPTER 9


* * *

I got to Kreizler’s house, at 283 East Seventeenth Street, a few minutes early, white-tied and caped and not at all sure of the conspiracy I’d entered into with Sara—a conspiracy that for better or worse would now play out. The snow had deepened to several inches, forming a quiet, pleasant layer over the bare shrubs and iron fences of Stuyvesant Park, across the street from Laszlo’s house. Opening the small gate to his similarly small front yard, I walked to the door and gently rapped the brass knocker. The French windows of the parlor, one story up, were slightly ajar, and I could hear Cyrus at the piano, giving forth with “Pari siamo” from Rigoletto—Kreizler was warming his ears up for the evening.

The door opened, bringing me face-to-face with the skittish, uniformed figure of Mary Palmer, Laszlo’s maid and housekeeper. Mary rounded out the list of former patients who had entered Kreizler’s service, and she was yet another who made the visitor who knew her full story a bit uneasy. Beautifully built, with a bewitching face and sky-blue eyes, Mary had been considered idiotic by her family since birth. She could not speak coherently, putting words and syllables together in unintelligible jumbles, and so was never taught to read or write. Her mother and father, the latter a respected schoolmaster in Brooklyn, had trained her to perform menial household functions, and seemed to care for her adequately; but one day in 1884, when she was seventeen, Mary chained her father to his brass bed while the rest of the family was out, and then set fire to the house. The father died a horrible death; and since there was no apparent reason for the attack, Mary was involuntarily committed to the Lunatic Asylum on Blackwells Island.

There she was discovered by Kreizler, who occasionally did consulting work on the island where he had found his first employment. Laszlo was struck by the fact that Mary lacked most, if not all, of the symptoms of dementia praecox, the only condition that, in his opinion, constituted true insanity. (The term is currently being supplanted, Laszlo says quite rightly, by Dr. Eugene Bleuler’s label “schizophrenia”; as I understand it, the word denotes a pathological inability to either recognize or interact with the reality around one.) Kreizler began to try to communicate with the girl, and soon discovered that in fact she suffered from classic motor aphasia, complicated by agraphia: she could understand words and think in clear sentences, but those parts of her mind that controlled speech and writing were badly damaged. Like most such unfortunates, Mary was bitterly aware of her difficulty, but lacked the ability to explain it (or anything else) to others. Kreizler was able to communicate by asking questions that Mary could answer with the simplest of statements—often just “yes” or “no”—and he taught her as much of rudimentary writing as her condition would permit. Weeks of work brought him to a new and shocking understanding of her history: apparently, her own father had been sexually violating her for years before the killing, but she, of course, had been unable to relate this fact to anyone.

Kreizler had demanded a legal review of the case, and Mary was eventually freed. Afterwards, she managed to convey to Laszlo the idea that she would make an ideal house servant. Knowing that the girl’s chances of an independent life were otherwise slim, Kreizler had taken her on, and now she not only maintained but jealously guarded his home. The effect of her presence, combined with those of Cyrus Montrose and Stevie Taggert,

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